Kinshasa, DRC: A Photo Collection

This gallery contains 29 photos.

Four times during my career between 1999 and 2000 I had the opportunity to travel to Kinshasa, capital of the Democratic Republic of the Congo. It’s the only place in the word that I truly experienced culture shock, even with multiple trips to places like Albania, Serbia, Egypt, Jordan, and other locations considered wild and […]

Brian Baity: Breathtaking Eggshell Artwork

I think this man could make an omelet without breaking eggs.

The astonishing work of Brian Baity. Visit his home page for much more eye-popping goodness.

Delicate goose egg filigree

Kokopelli

“Created for the Utah Cultural Celebration Center 2011 Easter Carved Eggshell Exhibit.
I want to bring as many people and interests as possible into the Easter exhibition.
I also like working in the forms of America’s native people because as a child I held the desire to become part of these great people.
In my adult wisdom I realize this is a child’s grand dream but it has never left my heart. Maybe I can express some small part of this dream in my art.”
“The photo of the hibiscus from which this design was created was shot in the Philippines.
Also a part of the 2011 Bulgarian Carved Eggshell Exhibitions.”

Lagoon’s “Terroride” Mural

Lagoon has long been one of my favorite places to visit. It’s not the fanciest amusement park in the world, but it’s ours – and the owners have done their best to make it a good place for young and old to have fun for as long as I can remember, which dates back to around 1957 or so.

This mural appeared as the backdrop for the loading area to the Terroride, one of the oldest park attractions and still a favorite. I remember I posted about it at a forum dedicated to Lagoon about three years ago, so I’ll just steal my own comment from there:

“The Terroride mural is a holdover from an age gone by. Many traveling carnivals had dark-rides or dark walkthroughs, and they appealed to people from a rural environment who, “B’gosh I’ll jest swan to Guiney, I never done see’d nothin’ like that in all my born days!” The mural was designed as the visual representation of a nightmare. Apes, skeletons, octopi, spiders, mummies… and Negroes! Hey, back then, “Negroes” were scary! We’re talking 1940’s and before… this is an old mural. Even though it’s not terribly frightening now, or even politically correct, I hope they preserve it – it’s a beautiful piece of history. I recall visiting Lagoon in around 1957 or so, for the first time, and that picture gave me the heebie-jeebies. “

Now that I think about it, the dancing African was probably supposed to represent a juju-man, or witch doctor – which back in more provincial days may have been frightening enough indeed.

[Edit:] Lest anyone think there was even a hint of racism in the minds of management, Lagoon’s owner and general manager Robert E. Freed was fiercely dedicated to the causes of equality; when the Freed family and their partner, Ranch Kimball, took over the lease of Lagoon, the terms forbade blacks in the swimming pool and the ballroom in accordance with a Farmington town ordinance. By the late 1940s, Freed had succeeded in fully opening Lagoon to the black community; when his company acquired the Rainbow Gardens, later known as the Terrace Ballroom, the same policy was adopted.

Posted on a Flickr picture was this description:

“The mural was painted by William M. Tracy, who is probably dead now. He lived in New Jersey. It is believed to have been painted in the 1940’s. William Tracy used to display stunts for dark rides at the industry trade shows. The mural was most likely purchased at the trade show along with some stunts. Bill Tracy also did many of the gags that were in the original Dracula’s Castle, many of which remain in place today. Sadly, he was an alcoholic.”

Others have disputed parts of this, but it’s the only bit of history I’ve been able to find.

If it’s indeed gone, that would be a sadness – I’ll be curious to find out if it was preserved anywhere.

[Update:] I called Lagoon today – apparently the mural has indeed been replaced by some trees, but it has been preserved in the offices at the Lagoon annex. That’s good – a piece of history like this deserves to be saved. Thumbs up!

[Update 2:] The mural is back in its original location, preserved for future generations to marvel at. ❤

The Old Wolf has spoken.

Salt Lake City – Lyric Theatre

Salt Lake used to have a number of great movie houses; the Center Theatre, the Villa, the Utah Theatre, and the Lyric are ones that I remember well.

By the time I got to Salt Lake in 1969, coming out from New York where I was raised, the Lyric had become a rather seedy second-run joint, but in the 40’s it was very active both as a live theatre and as a movie house – it became known as the Lyric sometime around 1947.

Lyric Theatre, February 24, 1947 – Found at Utah Heritage Society

In a touch of serendipity, Pinocchio is the movie I recall seeing at the lyric around 1969; I had several hours to kill before I caught a bus to Los Angeles to visit my dad, and I remember sitting in the theatre and watching the whole show 3 times in a row. Back in those days they had newsreels, shorts, cartoons, and a feature presentation. If you came in late, you could just stay until the next show began. Frankly, I miss those days.

Lyric Theatre Interior

In 1971 it was closed as a movie house, and the Church of Jesus Christ of Latter-day Saints bought the building and remodeled it as the Promised Valley Playhouse. During the course of ripping down the marquee, beautiful sculptures were uncovered; the Church hired a restoration expert, and the façade was restored to its original appearance.

The newly-restored Promised Valley Playhouse

Entryway sculptures – closeup

The Venus statue was restored by Arcstone Casting and Design. The original work was created of hammered tin; the statue was restored through composite materials and a new steel armature.

The theatre was used by the Church for local productions and also by the community; my own son had the privilege of performing there as part of a stake play when he was about 12. Tragically, theatre closed in 1996 due to structural problems.

Salt Lake County paid $50,000 for an architectural study, but voted on July 17 2001 against purchasing or leasing the theatre because of the high cost of restoring it. The study concluded that restoration of the Orpheum Theater (the original name when it was constructed in 1911) would cost between $2 million (for a basic seismic upgrade) and $30 million (for a full restoration).

The owner of the building, Zions Securities, demolished the building in 2003 for a multi-story car park; the facade and lobby was preserved and used for office and retail space.

The Lyric is gone, but it will always exist in memory.

The Old Wolf has spoken.

Disclaimer

More Salt Lake City, 1971

Looking east from 300 South near State Street, Salt Lake City, UT – 1971
©1971-2012 Old Wolf Enterprises, All Rights Reserved

Looking north on Main Street from 300 South, Salt Lake City, UT – 1971
©1971-2012 Old Wolf Enterprises, All Rights Reserved

Looking north on State Street from 100 South, Salt Lake City, UT – 1971
©1971-2012 Old Wolf Enterprises, All Rights Reserved

Apollo XV Astronaut James Irwin rides a motorcade down Main Street in front of the ZCMI store.
©1971-2012 Old Wolf Enterprises, All Rights Reserved