The temperatures of Sake

Inspired by a facebook post from a friend of mine, a translator and long-time resident of Japan.

Disclaimer: I’ve been teetotal since 1969 and have no personal experience of sake, other than it smells divine to me. If I were a drinker, I would love to sample sake in all its many permutations.

One thing to note: the Japanese word sake (酒) encompasses all types of liquor. The official word for the fermented rice wine that is under consideration here is 日本酒 (nihonshu), literally “Japanese liquor.”

What is the difference between "Hot Warm", "Nuru Warm" and "Kami-Kan"?  [Basic knowledge of sake]

From a Japanese article about basic understanding of sake:

One of the charms of Japanese sake is that it can be tasted at a wide range of temperatures, from cold to warm. In fact, sake changes its fragrance and taste depending on the temperature. For example, when cooled, the fragrance becomes gorgeous, and the mouth feel becomes sharp. In addition, the umami¹ becomes lighter and the alcoholic sensation may be less. On the other hand, warming spreads the scent, makes the mouth feel mellow, increases umami, and spreads the sweetness. In this way, the same liquor has completely different aromas and flavors depending on the temperature. If you understand this, you will be able to know at what temperature to drink depending on the type of sake.

The above screen capture shows the various temperatures at which sake can be served. From the same Japanese website linked above, a key to understanding:

熱 (Netsu) – Hot temperatures

55° C (131° F)
飛び切り燗
tobikiri-kan (extra hot)

50° C (122° F)
熱燗
atsu-kan (hot)

45° C (113° F)
上燗
jōkan (warm)

温 (Yutaka) – Warm temperatures

40° C (104° F)
ぬる燗
nuru-kan (lukewarm – literally “slimy hot”)

35° C (95° F)
人肌燗
hitohada-kan (human skin warm)

30° C (86° F)
日向燗
hinata-kan (sunny warm)

常温 (jōon) – Normal temperature

20° C (68° F)
前後 冷や
zengo hiya (almost cold)

冷 (hiya) – Cold temperatures

15° C (59° F)
涼冷え
suzubie (cool)

10° C (50° F)
花冷え
hanabie (flower cold)

5° C (41° F)
雪冷え
yukibie (snow cold)

Other charts include other temperatures, and there may be still more that I’m not aware of:

-10° C (-10° F)

mizore (sleet cold)

A simple search on the internet for facts about sake will turn up encyclopedic volumes of information, guides, suggestions, and opinions about the various kinds of sake, how they are to be served, what rituals to observe and in what circumstances, what temperature they are best enjoyed at, which foods various kinds of sake should be served with, and on and on to the lemniscate – clearly the oenophiles and beer afficionados have their enthusiastic Japanese counterparts.

For myself, I won’t be able to explore all of these wondrous variations in this life, but if you can, I hope that you find great joy in the exploration.

The Old Wolf has spoken.


¹umami is often referred to as the “fifth taste,” along with sweet, sour, salty, and bitter. Meaning essentially “savoriness” in Japanese, according to Merriam-Webster, “umami can be experienced in foods such as mushrooms, anchovies, and mature cheeses, as well as in foods enhanced with monosodium glutamate, or MSG, a sodium salt derived from glutamic acid.”

A brief review of the Star Wars saga, sans spoilers

I’ve waited 42 years for this. 42 long years, pretty much encompassing life, the universe, and everything.

Image result for star wars

I went to see Episode IV in 1977 when it was released, and was of course blown away by the innovation and game-changing nature of A New Hope. Like everyone else, I was all, “Huh? Episode IV? What’s that all about?” As time went on and when in 1980 George Lucas’ grand vision for a “nonology” became known, I was ecstatic. Episodes V and VI were released, and the world seemed rosy; a new episode would be released every three years until the series was complete.

  • Episode IV: A New Hope (1977)
  • Episode V: The Empire Strikes Back (1980)
  • Episode VI: The Return of the Jedi (1983)

Well, about that. George Lucas ran head-on into reality; By 1981, the stress of producing the original trilogy had sapped him of his passion for the series, and he announced that there would be no further sequels. As a result, 1986 to 1999 there was a thirteen-year gap in the Star Wars chronology.

But thanks to changes in technology and advances in the field of CGI, Mr. Lucas changed his mind and ended up producing the Prequel Trilogy, which – together with Episodes 4 through 6 he referred to as “The Tragedy of Darth Vader.”

  • Episode I: The Phantom Menace (1999)
  • Episode II: Attack of the Clones (2002)
  • Episode III: Revenge of the Sith (2005)

Over the next six years as the Prequels were released, a strange thing began to happen to the Star Wars fan base. Instead of rejoicing in new episodes of space opera and opportunities to revisit old heroes and villains like Yoda and Palpateen, massive opprobrium was heaved at Lucas for things like the existence of Jar-Jar Binks, the acting prowess of the young Anakin Skywalker (Jake Lloyd), the petulant Skywalker-turned-Vader (Hayden Christensen), and the heavy dependence on CGI rather than classic effects, among other things.

Finally, after the completion of the Prequels, Lucas gave up the Star Wars world altogether and turned it over to Disney, although he hoped that his ideas for the conclusion, included in the sale, would be factored in to any future films. That was not to be, and the saga took a different turn than its original creator had envisioned.

  • Episode VII: The Force Awakens (2015)
  • Episode VIII: The Last Jedi (2017)
  • Episode IX: The Rise of Skywalker (2019)

The opinion of fans on the final three installments of the saga have been widely divergent. Some loved them, others hated them, for reasons which seemed good to them. As for myself, I just got back from seeing Episode IX this afternoon, and while I promised no spoilers I have this to say:

The entire saga is an absolute masterpiece. My hat is off to George Lucas and everyone who took up the torch after him, or who helped to bring these amazing films to life – from the writers, directors, and producers, to the brilliant actors both old and new, to the stage crews, to the special effects and art and sound and music people, to the people who provided canteen services and emptied trash cans on the set and elsewhere – simply everyone. Bravo. Bravissimo.

The final episode was an immensely satisfying conclusion to the Skywalker epic. I laughed, I cried, I clapped, I cheered, and walked out fulfilled. This is the opinion of one old geek and, of course, your mileage may vary.

And naturally this is not all of Star Wars.

  • Rogue One (2016)
  • Solo (2018)

In A New Hope, a major plot point was the Death Star and the acquisition of the plans (with the weapon’s weakness) by the Rebellion. Rogue One is the story of how the plans for the first Death Star were acquired. And it was poignant, and important to the saga, and brilliant.

While I held off a while watching Solo because in the back of my mind I just kept thinking, “How can they do Solo without Harrison Ford,” when the time came I found that I enjoyed the film thoroughly. It was a worthy addition to the Star Wars universe.

And doubtless, more is to come. Disney+ is currently streaming “The Mandalorian,” which is very well done and has captured the imagination of a new generation with a character called (perhaps erroneously) as “Baby Yoda.” How that will play out remains to be seen. A new trilogy (separate from the Skywalker saga) is in the works, a prequel to Rogue One is planned, and an Obi-Wan Kenobi series is being drafted.

How fans will relate to all of this new material remains to be seen. And while I don’t think I’ll be queuing up in the theaters to see future releases as I did for the original movies, they will definitely be on my watch list.

May the Force be with us all.

The Old Wolf has spoken.

Booty from Christmas Past

Cross-posted from Livejournal

Booty!

Shut up, you deviants. I mean Jack Sparrow-type booty. Arr…

In 2010, a chest o’treasure arrived in me mailbox from a pretty wench in a far-off land. A whole bundle of silly, fun things: most useful, all appreciated.

The tie was the most interesting of all. To look at, it’s just a nice Christmas-themed cravat (since I only have one other, this will be a fine addition next Yule season.) But on closer examination, there are bits and snatches of words running through the candy canes.

I could tell the writing extended through the candy canes onto the blue background, but it was impossible to see in normal light, especially with the reflection from the shiny silk. So I scanned it, hoping to bring out a bit of detail.

With a little contrast and gamma manipulation, I was able to get the words to come out a bit more (this is just a small section, and my working image was much larger):

What jumped out at me was “The Christmas Joy”, “around the year”, “spot”, and “frozen”. Doing a Google search on these words came up with one – and only one – hit, a poorly-scanned copy of Down Durley Lane and Other Ballads by Virginia Woodward Cloud, published in 1898(!), and illustrated by Reginald Bathurst Birch which included this poem, “Old Christmas”:

It’s a long way round the year, my dears,
A long way round the year.
I found the frost and flame, my dears,
I found the smile and tear!

The wind blew high on the pine-topp’d hill.
And cut me keen on the moor:
The heart of the stream was frozen still,
As I tapped at the miller’s door.

I tossed them holly in hall and cot,
And bade them right good cheer,
But stayed me not in any spot,
For I’d traveled around the year

To bring the Christmas joy, my dears,
To your eyes so bonnie and true;
And a mistletoe bough for you, my dears,
A mistletoe bough for you!

What a delightful, hidden, and serendipitous message!

Miraculous it was that these words were even clear in the transcription, because it was a raw optical-conversion, and much of the text came out as garbage. What’s more, Virginia Woodward Cloud is a rather obscure poet, not unlike Grace Noll Crowell, (whose works I had hunted for over a period of 40 years, only having success last year thanks to another deep internet search). So the odds of finding one of Cloud’s poems on a Christmas tie are pretty slim.

A bit more digging found a beautiful online, zoomable copy of the book – “Old Christmas” is on page 99.

And all this because I gave the wench a stale crust of bread…

The Old Wolf has spoken

Another day, another shooting.

This was an odd one. It happened at a Naval Air Station, where people essentially carry weapons for a living. So that muddies the water a bit. And, it turns out that the perp was a Saudi national, and an aviation student to boot, which raises a *whole* lot of questions in my mind, but that’s a discussion for another day.

Before anything else, my heart is broken for those impacted; the victims, their families, and their loved ones. People die every day from all sorts of reasons – illness, unavoidable accidents, natural causes, even violence – but death by terrorism is especially hard on those left behind. And I make no apologies for calling it that. I am deeply sorry for your loss.

But now comes the summum bonum of this post: According to CBS News, ” The number of mass shootings across the U.S. thus far in 2019 has outpaced the number of days this year, according to a gun violence research group. Before this year has even ended, 2019 has already had more mass shootings than any year since the research group started keeping track.”

This doesn’t even take into account the little ones. Individual shootings by unbalanced or patently evil people. As of today, the total is 36,518. Now, in terms of national statistics, that’s only roughly 3/4 the number of deaths by suicide from any cause, according to the CDC, and almost the same number as automobile fatalities in 2018. So some might argue that in terms of overall numbers, it’s not a big deal.

But it is. It’s a big deal. It’s too many, and too horrible, and too traumatizing, and gun violence takes adults, and children, and breaks hearts and shatters families and reduces our safety (the NRA would argue the opposite) and the quality of our life.

Image result for 2nd amendment

So here’s the question, directed at those of my friends and associates who fall on the “cold, dead hands” side of the equation:

What are you going to do to stop this carnage. What are you doing right now to make sure that guns don’t get into the wrong hands, the hands of people who will use them to destroy the innocent?

I exhort you: don’t get me wrong. I support the 2nd Amendment as long as it remains part of the Constitution.

These are patches and such that I earned as a youth. I remain proud of them to this day. I learned gun safety and responsibility and enjoyed target shooting immensely. (Thanks, Hutch.) We own a 30-30. I’m not a “gun grabber,” as the NRA loves to pigeonhole people who advocate for gun control. But the situation today has far exceeded what I consider madness.

The courts have repeatedly ruled that you have the right to assemble an arsenal that would be the envy of a small nation. I think that if the Founders, in their wisdom, could see what that those 27 words had wrought in our day and age, they would weep in outrage and promptly need to go home and change their pants. But that’s my interpretation, and the wisdom of the 2nd is not what I’m discussing. It’s a fact, and we need to deal with things as they are.

I think our nation would be far safer if there were no guns in private hands, but if the right to bear arms is never going away, it needs to be tempered with a responsibility to bear arms safely, and I support treating guns in the same way we treat cars, none of which contravenes the wording of the 2nd Amendment:

  • Gun owners should be trained, licensed, and insured for each type of weapon owned.
  • All weapons should be annually registered, inspected, and taxed.

So what are your solutions? How will you preserve your rights and still stop the daily carnage? Change my mind.

Go.¹


¹ Note: I’m inviting comments for this post, despite the fact that it’s a divisive and often inflammatory issue. I have attempted to be as impartial and even-handed as possible in laying out my feelings. Comments that are ad-hominem attacks (i.e. “You gun-grabbing pussy!”) or not based on reason (“I disagree!”) will simply be deleted without ever being seen. I want to know how you would fix things, and preserving the status quo is not an option. So choose your words wisely.

Russ Delmar’s Magic Center

I have written about my Journey Into Magic, in which I mentioned my love of hanging around the Magic Center on 8th Avenue. Sadly, no photos of this shop seem to exist around the net, so I was delighted to find an old New York City tax photo from the 1940s which clearly shows the Magic Center at 741 8th Avenue (I believe Russ later moved his shop next door to 739).

Click the image to enlarge it; the Magic Center is clearly visible on the right.

Russ used to advertise various tricks in magazines of the day, including Popular Science, Popular Mechanics, and the New Yorker:

The next thing I need is for someone out there in the wide world of the Internet to come up with a good photo of Russ himself.

The Old Wolf has spoken.

One website: 542 Advertisers

I recently visited a website I had never been to before because I needed an image. Naturally, I was presented with the “We care about your privacy, accept cookies” dialog.

Image result for accept cookies

This website was different, however, in that it provided a list of every company they share your data with, with toggle switches to accept or reject, plus a link to each company’s privacy policy.

You can set consent preferences for each individual third-party company below. Expand each company list item to see what purposes they use data for to help make your choices. In some cases, companies may disclose that they use your data without asking for your consent, based on their legitimate interests. You can click on their privacy policies for more information and to opt out.

By interacting over time with that particular website, I would be sharing data about my activity with these companies:

A Million Ads Limited, A.Mob, Accelerize Inc., Accorp Sp. z o.o., Active Agent AG, Acuityads Inc., Ad Unity Ltd, ad6media, Adacado Technologies Inc. (DBA Adacado), ADARA MEDIA UNLIMITED, AdClear GmbH, AdColony, Inc., AddApptr GmbH, AdDefend GmbH, AdElement Media Solutions Pvt Ltd, Adello Group AG, Adelphic LLC, Adevinta Spain S.L.U., Adform A/S, Adhese, adhood.com, Adikteev / Emoteev, Adimo, ADITION technologies AG, Adkernel LLC, Adledge, Adloox SA, Adludio Ltd, ADMAN – Phaistos Networks, S.A., ADman Interactive SL, AdMaxim Inc., Admedo Ltd, admetrics GmbH, Admixer EU GmbH, Admotion SRL, Adnami Aps, Adobe Advertising Cloud, Adobe Audience Manager, Adprime Media Inc., ADRINO Sp. z o.o., adrule mobile GmbH, Adserve.zone / Artworx AS, Adsolutions BV, AdSpirit GmbH, adsquare GmbH, Adssets AB, AdsWizz Inc., Adtelligent Inc., AdTheorent, Inc, AdTiming Technology Company Limited, ADUX, advanced store GmbH, ADventori SAS, Adverline, ADYOULIKE SA, Aerserv LLC, Affectv Ltd, affilinet, Affle International, Alive & Kicking Global Limited, Alliance Gravity Data Media, Amobee, Inc., AntVoice, Apester Ltd, AppNexus Inc., Arcspire Limited, Arkeero, ARMIS SAS, Arrivalist Co., ATG Ad Tech Group GmbH, Audience Trading Platform Ltd., AudienceProject Aps, Audiens S.r.l., audio content & control GmbH, Automattic Inc., Avazu Inc., Avid Media Ltd, Avocet Systems Limited, Axel Springer Teaser Ad GmbH, Azerion Holding B.V., B2B Media Group EMEA GmbH, Bandsintown Amplified LLC, Bannerflow AB, Beachfront Media LLC, Beemray Oy, BeeswaxIO Corporation, BEINTOO SPA, BeOp, Better Banners A/S, Bidmanagement GmbH, bidstack ltd, BIDSWITCH GmbH, Bidtellect, Inc, BidTheatre AB, Bigabid Media Ltd, BILENDI SA, Bit Q Holdings Limited, BLIINK SAS, Blis Media Limited, Blue, Blue Billywig BV, Bmind a Sales Maker Company, S.L., Bombora Inc., Bounce Exchange, Inc, Brand Metrics Sweden AB, Browsi Mobile Ltd, Bucksense Inc, BusinessClick, Cablato Limited, Capitaldata, Captify Technologies Limited, Celtra, Inc., Centro, Inc., CerebroAd.com s.r.o., ChannelSight, Chargeads, CHEQ AI TECHNOLOGIES LTD., Clicksco Digital Limited, Clipcentric, Inc., Cloud Technologies S.A., Codewise Sp. z o.o. Sp. k, Collective Europe Ltd., Collective, Inc. dba Visto, Colpirio.com, Comcast International France SAS, Commanders Act, communicationAds GmbH & Co. KG, comScore, Inc., Confiant Inc., Connatix Native Exchange Inc., ConnectAd Realtime GmbH, Consumable, Inc., Contact Impact GmbH, Converge-Digital, Conversant Europe Ltd., Crimtan Holdings Limited, Criteo SA, Cuebiq Inc., Cxense ASA, Cybba, Inc., Cydersoft, Czech Publisher Exchange z.s.p.o., D-Edge, Dailymotion SA, Dataxu, Inc., DeepIntent, Inc., DEFINE MEDIA GMBH, Delta Projects AB, Demandbase, Inc., Densou Trading Desk ApS, Digilant Spain, SLU, Digital Control GmbH & Co. KG, Digital East GmbH, digitalAudience, DIGITEKA Technologies, Digitize New Media Ltd, DigiTrust / IAB Tech Lab, district m inc., DoubleVerify Inc.​, Dr. Banner, Drawbridge, Inc., dunnhumby Germany GmbH, Duplo Media AS, Duration Media, LLC., DynAdmic, Dynamic 1001 GmbH, EASYmedia GmbH, Effiliation, Emerse Sverige AB, emetriq GmbH, EMX Digital LLC, Etarget SE, Eulerian Technologies, Exactag GmbH, Exponential Interactive, Inc, Eyeota Ptd Ltd, Ezoic Inc., Fidzup, Fifty Technology Limited, Flashtalking, Inc., FlexOffers.com, LLC, Forensiq LLC, FORTVISION, Free Stream Media Corp. dba Samba TV, Fusio, Fyber, Gamned, Gamoshi LTD, GDMServices, Inc. d/b/a FiksuDSP, Gemius SA, Genius Sports Media Limited, Getintent USA, inc., GlobalWebIndex, Go.pl sp. z o.o., Goldbach Group AG, Golden Bees, Goodway Group, Inc., GP One GmbH, GRAPHINIUM, Greenhouse Group BV (with its trademark LemonPI), GroupM UK Limited, GumGum, Inc., Haensel AMS GmbH, Happydemics, hbfsTech, HIRO Media Ltd, Hivestack Inc., Hottraffic BV (DMA Institute), Hybrid Adtech GmbH, ID5 Technology SAS, IgnitionAi Ltd, IgnitionOne, Illuma Technology Limited, Impactify, Impression Desk Technologies Limited, Improve Digital International BV, Index Exchange, Inc., INFINIA MOBILE S.L., InMobi Pte Ltd, INNITY, Innovid Inc., Inskin Media LTD, Instinctive, Inc., Instreamatic inc., InsurAds Technologies SA., Integral Ad Science, Inc., Intent Media, Inc., Intercept Interactive Inc. dba Undertone, Internet BillBoard a.s., Intowow Innovation Ltd., INVIBES GROUP, iotec global Ltd., IPONWEB GmbH, Jaduda GmbH, Jampp LTD, Jivox Corporation, Join, Jointag S.r.l., Justpremium BV, Kairos Fire, Kayzen, Keymantics, Knorex Pte Ltd, Kochava Inc., Kubient, KUPONA GmbH, LBC France, Leadplace – Temelio, LeftsnRight, Inc. dba LIQWID, Leiki Ltd., LEMO MEDIA GROUP LIMITED, LifeStreet Corporation, Liftoff Mobile, Inc., Ligatus GmbH, Linicom, LiquidM Technology GmbH, Little Big Data sp.z.o.o., Liveintent Inc., LiveRamp, Inc., LKQD, a division of Nexstar Digital, LLC., Localsensor B.V., Location Sciences AI Ltd, LoopMe Ltd, LotaData, Inc., Lotame Solutions, Inc., Lucid Holdings, LLC, M32 Connect Inc, Madington, Madison Logic, Inc., MADVERTISE MEDIA, mainADV Srl, MAIRDUMONT NETLETIX GmbH&Co. KG, Marfeel Solutions S.L, Market Resource Partners LLC, Maximus Live LLC, Maytrics GmbH, mbr targeting GmbH, McCann Discipline LTD, Media.net Advertising FZ-LLC, MediaMath, Inc., mediarithmics SAS, Mediasmart Mobile S.L., Meetrics GmbH, MGID Inc., Mindlytix SAS, MiQ, Mirando GmbH & Co KG, MISSENA, mobalo GmbH, Mobfox US LLC, Mobile Journey B.V., Mobile Professionals BV, Mobilewalla, Inc., Mobsuccess, Mobusi Mobile Advertising S.L., My6sense Inc., Myntelligence Limited, N Technologies Inc., Nano Interactive GmbH, Nativo, Inc., Near Pte Ltd, Neodata Group srl, NEORY GmbH, Netsprint SA, NetSuccess, s.r.o., netzeffekt GmbH, NEURAL.ONE, Neustar on behalf of The Procter & Gamble Company, Neustar, Inc., News and Media Holding, a.s., NEXD, NextRoll, Inc., Nielsen Marketing Cloud, Norstat Danmark A/S, Noster Finance S.L., Notify, nugg.ad GmbH, numberly, Oath (EMEA) Limited, Ogury Ltd., On Device Research Limited, OneTag Ltd, Onfocus (Adagio), Online Solution Int Limited, Onnetwork Sp. z o.o., Ooyala Inc, OpenX, Opinary GmbH, Optomaton UG, Oracle, Oracle AddThis, Orion Semantics, ORTEC B.V., Otto (GmbH & Co KG), Outbrain UK Ltd, PaperG, Inc. dba Thunder Industries, Parsec Media Inc., Passendo ApS, Perform Media Services Ltd, Permodo GmbH, Permutive Ltd., Permutive Technologies, Inc., Pexi B.V., pilotx.tv, Pixalate, Inc., PIXIMEDIA SAS, Platform161, Playbuzz Ltd., PLAYGROUND XYZ EMEA LTD, plista GmbH, Pocketmath Pte Ltd, Polar Mobile Group Inc., PowerLinks Media Limited, Predicio, PREX Programmatic Exchange GmbH&Co KG, Programatica de publicidad S.L., Proxi.cloud Sp. z o.o., PROXISTORE, PUB OCEAN LIMITED, Publicis Media GmbH, Publishers Internationale Pty Ltd, PubMatic, Inc., PubNative GmbH, PulsePoint, Inc., Purch Group, Inc., PurposeLab, LLC, Qriously, Quantcast International Limited, Qwertize, R-Advertising, R-TARGET, Radio Net Media Limited, Rakuten Marketing LLC, Readpeak Oy, Realeyes OÜ, realzeit GmbH, ReigNN Platform Ltd., Relay42 Netherlands B.V., remerge GmbH, Research and Analysis of Media in Sweden AB, Research Now Group, Inc, Revcontent, LLC, Reveal Mobile, Inc, RevLifter Ltd, Rezonence Limited, RhythmOne, LLC, Rich Audience, RMSi Radio Marketing Service interactive GmbH, Rockabox Media Ltd, Rockerbox, Inc, RockYou, Inc., Roq.ad GmbH, RTB House S.A., RTK.IO, Inc, RUN, Inc., salesforce.com, inc., Samba TV UK Limited, Sanoma Media Finland, Scene Stealer Limited, Schibsted Norge AS, Schibsted Product and Tech UK, Seeding Alliance GmbH, Seedtag Advertising S.L, Seenthis AB, Sellpoints Inc., Semasio GmbH, Seznam.cz, a.s., ShareThis, Inc., Sharethrough, Inc, SheMedia, LLC, Shopalyst Inc, Shopstyle, ShowHeroes GmbH, Sift Media, Inc, Signal Digital Inc., Signals, Simplifi Holdings Inc., SINGLESPOT SAS, Sirdata, Sizmek, Skaze, Skimbit Ltd, SlimCut Media SAS, Smaato, Inc., Smadex SL, Smart Adserver, Smart Traffik, Smartclip Hispania SL, smartclip Holding AG, Smartme Analytics, Smartology Limited, SMARTSTREAM.TV GmbH, SmartyAds Inc., Smile Wanted Group, Snapsort Inc., operating as Sortable, Social Tokens Ltd., Sojern, Inc., Solocal, Somo Audience Corp, Sonobi, Inc, Soundcast, Sourcepoint Technologies, Inc., Sovrn Holdings Inc, Spolecznosci Sp. z o.o. Sp. k., Sportradar AG, Spot.IM Ltd., Spotad, SpotX, StackAdapt, StartApp Inc., Steel House, Inc., Ströer Mobile Performance GmbH, Ströer SSP GmbH, Sub2 Technologies Ltd, Sublime, SunMedia, Switch Concepts Limited, SYNC, TabMo SAS, Taboola Europe Limited, TACTIC™ Real-Time Marketing AS, Tapad, Inc., Tapjoy, Inc., TAPTAP Networks SL, TARGETSPOT BELGIUM SPRL, Teads, Tealium Inc, Teemo SA, Telaria, Inc, Telecoming S.A., Telefonica Investigación y Desarrollo S.A.U, Teroa S.A., The ADEX GmbH, The Kantar Group Limited, The MediaGrid Inc., The Ozone Project Limited, The Reach Group GmbH, The Rubicon Project, Inc., The Trade Desk, Think Clever Media, Thirdpresence Oy, Timehop, Inc., TimeOne, Totaljobs Group Ltd, Tradedoubler AB, Tradelab, SAS, TradeTracker, travel audience GmbH, TreSensa, Inc., Triapodi Ltd., Triboo Data Analytics, TripleLift, Inc., Triton Digital Canada Inc., TrueData Solutions, Inc., Tunnl BV, Turbo, twiago GmbH, UberMedia, Inc., ucfunnel Co., Ltd., Underdog Media LLC, Unruly Group Ltd, uppr GmbH, Uprival LLC, usemax advertisement (Emego GmbH), Vdopia DBA Chocolate Platform, Ve Global, VECTAURY, Venatus Media Limited, Vibrant Media Limited, video intelligence AG, Video Media Groep B.V., Video Reach, Vidoomy Media SL, ViewPay, Viralize SRL, Visarity Technologies GmbH, Vuble, WebAds B.V, Webedia, WebMediaRM, WEBORAMA, Welect GmbH, WhatRocks Inc., Whenever Media Ltd, White Ops, Inc., Widespace AB, Wizaly, X-Mode Social, Inc., xAd, Inc. dba GroundTruth, YellowHammer Media Group, Yieldlab AG, Yieldlove GmbH, Yieldmo, Inc., Yieldr UK, YOC AG, Yormedia Solutions Ltd, ZBO Media, Zemanta, Inc., zeotap GmbH, Zeta Global, Ziff Davis LLC, ZighZag

Most of these companies make their money by getting you to look at advertisements. Most of them will happily share your data with anyone who has two coppers to rub together. Many of these companies use your data without your permission, and many times if you share your location with one website, you’re sharing it with countless others.

The conclusion in today’s world is unavoidable. Even if we are paying for the service, we are essentially the product.

They know what we’re watching. They know what we like. They know where we are. We cannot escape.

The drums. The drums in the deep. They are coming…¹

The Old Wolf has Spoken


¹ This is a bit of sensationalistic hyperbole, in case you weren’t sure. Most people who use the Internet are aware that their browsing habits are being tracked so that companies can serve them ads that are more likely to generate sales. But the more I think about it, the more disturbing it does become; the concept of “privacy” on the web is essentially a non-entity. If you want privacy, get off the Internet altogether.

Satire: It’s legal, Madam.

Some folks have really, really thin skins.

Image may contain: 1 person, smiling, text

I suspect Ms. Parker, whoever, she is, has never been inside Barnes and Noble… or any bookstore for that matter. Peruse the shelves of any respectable bookseller, and you’ll find works from every point along the political spectrum, from Holy, Holy God, Thank You For Appointing Trump Emperor of the World (I’m sure something similar exists) to Bob Woodward’s Fear, and anything inbetween. ¹

The Humor section will be chock-full of collections of political cartoons from such geniuses as Pat Oliphant, who pilloried everyone that deserved it regardless of political affiliation.

If Ms. Parker’s train of thought were carried to its very illogical end-of-line, every bookstore in the world should be boycotted for carrying an item that someone happened to find offensive.

It’s called “The First Amendment.” Satire and Parody are Constitutionally protected speech.

But in one thing, Ms. Parker is right. This book is very disrespectful; comparing 45 to a pig is most unfair to the pigs of the world.

The Old Wolf has spoken.


¹ Someone needs to write this book: