My favorite farewell speech.

“I am leaving soon and you’ll forgive me if I speak bluntly. The universe grows smaller every day and the threat of aggression by any group anywhere can no longer be tolerated. There must be security for all or no one is secure. Now this does not mean giving up any freedom, except the freedom to act irresponsibly. Your ancestors knew this when they made laws to govern themselves and hired policemen to enforce them. We, of the other planets, have long accepted this principle. We have an organization for the mutual protection of all planets and for the complete elimination of aggression. The test of any such higher authority is, of course, the police force that supports it. For our policemen we created a race of robots. Their function is to patrol the planets in spaceships like this one and preserve the peace. In matters of aggression we have given them absolute power over us. This power cannot be revoked. A t the first signs of violence they act automatically against the aggressor. The penalty for provoking their action is too terrible to risk. The result is we live in peace without arms or armies, secure in the knowledge that we are free from aggression and war, free to pursue more profitable enterprises. Now, we do not pretend to have achieved perfection, but we do have a system, and it works. I came here to give you these facts. It is no concern of ours how you run your own planet, but if you threaten to extend your violence, this Earth of yours will be reduced to a burned-out cinder. Your choice is simple: join us and live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer. The decision rests with you.”

-Klaatu, “The Day the Earth Stood Still”

Beautiful Recording of The Hobbit

A friend of mine pointed me to this today, and it’s too good to keep to myself.

Hobbit1

In the 1970s, professor J.R.R. Tolkien made a few audio recordings of some readings from his works The Hobbit and Lord of the Rings which were released through the spoken-word label Caedmon Audio. Around the same time Tolkien authorized a adaptation of The Hobbit to be made through the UK record label Argo Records which had been absorbed by Decca Records at the time. This adaptation was spearheaded by Demi Demetriou who enlisted the help of the Scottish actor Nicol Williamson. His talent with voicework allowed him to collaborate with audio director Harely Usill in re-editing the original script, removing many ‘he said, she said, said so and so’ etc, and relying instead on his vocal character performances to convey who was saying what to whom. As a result the resulting abridged version of The Hobbit was both dramatic and unique without an over-reliance on the descriptive narrative.

The recordings were released on 4 vinyl LPs in 1974 by Conifer Records. This version been sourced from such a set and is offered under a Attribution-NonCommercial-ShareAlike 3.0 license

In memorandum of Nicol Williamson (1936 – 2011)

We’ve listened, precious, and we loves it.

The Old Wolf has spoken.

 

Children’s Poetry I Have Loved – Part 4

Little Orphant Annie

by James Whitcomb Riley (1849-1916)

James Whitcomb Riley was one of America’s most popular poets of the late 19th and early 20th centuries, often known as the “Hoosier Poet” and the “Children’s Poet.” He often wrote in dialect; his transcriptions are delightful and evoke a simpler and more bucolic America.

Read this poem by firelight with some good dramatic intonation, and you can give the little ones nightmares for a week!

Annie

“Little Orphant Annie” by Ethel Franklin Betts

Little Orphant Annie’s come to our house to stay,
An’ wash the cups an’ saucers up, an’ brush the crumbs away,
An’ shoo the chickens off the porch, an’ dust the hearth, an’ sweep,
An’ make the fire, an’ bake the bread, an’ earn her board-an’-keep;
An’ all us other childern, when the supper-things is done,
We set around the kitchen fire an’ has the mostest fun
A-list’nin’ to the witch-tales ‘at Annie tells about,
An’ the Gobble-uns ‘at gits you

Ef you

Don’t

Watch

Out!

Annie2

Black and white illustrations by Mildred Rogers Dickeman[1]

Wunst they wuz a little boy wouldn’t say his prayers,–
An’ when he went to bed at night, away up-stairs,
His Mammy heerd him holler, an’ his Daddy heerd him bawl,
An’ when they turn’t the kivvers down, he wuzn’t there at all!
An’ they seeked him in the rafter-room, an’ cubby-hole, an’ press,
An’ seeked him up the chimbly-flue, an’ ever’-wheres, I guess;
But all they ever found wuz thist his pants an’ roundabout:–
An’ the Gobble-uns ‘ll git you

Ef you

Don’t

Watch

Out!

Annie1

An’ one time a little girl ‘ud allus laugh an’ grin,
An’ make fun of ever’ one, an’ all her blood-an’-kin;
An’ wunst, when they was “company,” an’ ole folks wuz there,
She mocked ’em an’ shocked ’em, an’ said she didn’t care!
An’ thist as she kicked her heels, an’ turn’t to run an’ hide,
They wuz two great big Black Things a-standin’ by her side,
An’ they snatched her through the ceilin’ ‘fore she knowed what she’s about!
An’ the Gobble-uns ‘ll git you

Ef you

Don’t

Watch

Out!

An’ little Orphant Annie says, when the blaze is blue,
An’ the lamp-wick sputters, an’ the wind goes woo-oo!
An’ you hear the crickets quit, an’ the moon is gray,
An’ the lightnin’-bugs in dew is all squenched away,–
You better mind yer parunts, an’ yer teachurs fond an’ dear,
An’ churish them ‘at loves you, an’ dry the orphant’s tear,
An’ he’p the pore an’ needy ones ‘at clusters all about,
Er the Gobble-uns ‘ll git you

Ef you

Don’t

Watch

Out!

Listen to a rare 1912 recording of Riley himself reciting “Little Orphant Annie”


[1]Riley, James Whitcomb, A Host of Children, Bobbs-Merrill, 1920

Children’s Poetry I Have Loved, Part 3

Antonio

by Laura E. Richards

(This one had me rolling on the floor every time I read it)

Antonio, Antonio
Was tired of living alonio.
He thought he would woo
Miss Lissamy Lu,
Miss Lissamy Lucy Molonio.

Antonio, Antonio,
Rode off on his polo-ponio.
He found the fair maid
In a bowery shade,
A-sitting and knitting alonio.

Antonio1

Antonio, Antonio,
Said, “If you will be my ownio,
I’ll love you true,
And I’ll buy for you
An icery creamery conio!”

Oh, Nonio, Antonio!
You’re far too bleak and bonio!
And all that I wish,
You singular fish,
Is that you will quickly begonio.”

Antonio, Antonio,
He uttered a dismal moanio;
Then he ran off and hid
(Or I’m told that he did)
In the Antecatarctical Zonio.

Antonio2

Health Food… Not

A few of my favorite food-related health cartoons.

Diabetes with large stroke

Bizarro © Dan Piraro

Food Supply

©Tribune Media Services

HotDogPoison

Bizarro © Dan Piraro

“Laws, like sausages, cease to inspire respect in proportion as we know how they are made.”
– John Godfrey Saxe


Retail - Hot Dogs

Retail © Norm Feuti

TerroristFood

©Mike Peters

The Old Wolf has *burp* spoken

 

Congressional Approval Ratings

Found over at Public Policy Polling, it appears that Congress is really not popular at all, especially when more people approve of cockroaches. The following chart, digested from the article, shows Congressional approval compared to some other things:

 Compared with Opponent Congress
North Korea 26 61
Meth Labs 21 60
Lobbyists 30 58
Communism 23 57
Fidel Castro 32 54
Gonorrhea 28 53
Ebola 25 53
Kardashians 36 49
Lindsey Lohan 41 45
Telemarketers 35 45
John Edwards 29 45
Playground Bullies 38 43
Cockroaches 45 43
Donald Trump 44 42
France 46 37
Genghis Khan 41 37
Traffic Jams 56 34
DC Pundits 37 34
Root Canals 56 32
Used Car Salesmen 57 32
Nickelback 39 32
Colonoscopies 58 31
Carnies 39 31
NFL Replacement Refs 56 29
Brussels Sprouts 69 23
Lice 67 19

Congress can take comfort in knowing that they are more popular than LiLo or North Korea, but that’s meagre comfort, given that they are less than 1/3 as popular as lice.

Think they’ll pay attention to this recent poll?

Nah.

The Old Wolf has spoken.

The “plastinated” models of the Sansevero Chapel

While living in Naples, Italy for 14 months or so back in 1970, I took the opportunity to visit the Sansevero chapel.  There on display are two intriguing anatomical models, which were represented at the time as being the earliest known examples of plastination, popularized by the Body Worlds exhibits.

From Wikipedia:

These “anatomical models” (macchine anatomiche) were thought to be examples of the process of “human metallization” (metallizzazione umana) as implemented by anatomist Giuseppe Salerno ca. 1760 from a commission by Raimondo di Sangro. The exhibit consists of a mature male and a pregnant woman. Their skeletons are encased in the hardened arteries and veins which are colored red and blue respectively. Previously, historians have surmised that the corpses could have been created by injecting the hardening substances directly into the veins of living subjects.[4] However, recent analysis shows no evidence of techniques involving injection. Analysis of the “blood vessels” indicate they are constructed of beeswax, iron wire, and silk.

Whatever the case, these models were amazingly detailed, and even the manufacture of them at the time would have been a master undertaking.

Naples - Sansevero Chapel - Raimondo de Sangro Female skeleton

The female model – Photo ©1970-2013 Old Wolf Enterprises

Naples - Sansevero Chapel - Raimondo de Sangro Male skeleton 2

The male model – Photo ©1970-2013 Old Wolf Enterprises

Naples - Sansevero Chapel - Raimondo de Sangro Male skeleton

Male model – Closeup – Photo ©1970-2013 Old Wolf Enterprises

macchina

Color photo of the female model from the official website of the Sansevero Chapel Museum.

If you’re ever in Naples, this museum is worth a visit – if only to see the Veiled Christ of Giuseppe Sanmartino, but if you do go, be sure to check out the anatomical machines – they’re brilliantly executed and would have taken forever to make.

The Old Wolf has spoken.