The Magic Fishbone

I first encountered this story in a general collection of children’s literature.  I loved the delicious language and the whimsical nature of the storytelling, the absurd names and the illogical non-sequiturs. Only after I had read it to my kids a number of times did I realize who the author was: the illustrious Charles Dickens, and then everything made a lot more sense. It originally appeared as Part II of a work called Holiday Romance. [1] The Good Fairy Grandmarina has long been one of my favorite characters – for no-nonsense, she puts Mary Poppins to shame.

So without further ado, I present you the full text of “The Magic Fishbone.” Have no pity for the dreadful little snapping pug-dog next door – Dickens certainly didn’t.

THERE was once a king, and he had a queen; and he was the manliest of his sex, and she was the loveliest of hers. The king was, in his private profession, under government. The queen’s father had been a medical man out of town.

They had nineteen children, and were always having more. Seventeen of these children took care of the baby; and Alicia, the eldest, took care of them all. Their ages varied from seven years to seven months.

Let us now resume our story.

One day the king was going to the office, when he stopped at the fishmonger’s to buy a pound and a half of salmon not too near the tail, which the queen (who was a careful housekeeper) had requested him to send home. Mr. Pickles, the fishmonger, said, ‘Certainly, sir; is there any other article? Good-morning.’

The king went on towards the office in a melancholy mood; for quarter-day was such a long way off, and several of the dear children were growing out of their clothes. He had not proceeded far, when Mr. Pickles’s errand-boy came running after him, and said, ‘Sir, you didn’t notice the old lady in our shop.’

‘What old lady?’ inquired the king. ‘I saw none.’

Now the king had not seen any old lady, because this old lady had been invisible to him, though visible to Mr. Pickles’s boy. Probably because he messed and splashed the water about to that degree, and flopped the pairs of soles down in that violent manner, that, if she had not been visible to him, he would have spoilt her clothes.

Just then the old lady came trotting up. She was dressed in shot-silk of the richest quality, smelling of dried lavender.

‘King Watkins the First, I believe?’ said the old lady.

Grandmarina

‘Watkins,’ replied the king, ‘is my name.’

‘Papa, if I am not mistaken, of the beautiful Princess Alicia?’ said the old lady.

‘And of eighteen other darlings,’ replied the king.

‘Listen. You are going to the office,’ said the old lady.

It instantly flashed upon the king that she must be a fairy, or how could she know that?

‘You are right,’ said the old lady, answering his thoughts. ‘I am the good Fairy Grandmarina. Attend! When you return home to dinner, politely invite the Princess Alicia to have some of the salmon you bought just now.’

‘It may disagree with her,’ said the king.

The old lady became so very angry at this absurd idea, that the king was quite alarmed, and humbly begged her pardon.

‘We hear a great deal too much about this thing disagreeing, and that thing disagreeing,’ said the old lady, with the greatest contempt it was possible to express. ‘Don’t be greedy. I think you want it all yourself.’

The king hung his head under this reproof, and said he wouldn’t talk about things disagreeing any more.

‘Be good, then,’ said the Fairy Grandmarina, ‘and don’t. When the beautiful Princess Alicia consents to partake of the salmon, – as I think she will, – you will find she will leave a fish-bone on her plate. Tell her to dry it, and to rub it, and to polish it till it shines like mother-of-pearl, and to take care of it as a present from me.’

‘Is that all?’ asked the king.

‘Don’t be impatient, sir,’ returned the Fairy Grandmarina, scolding him severely. ‘Don’t catch people short, before they have done speaking. Just the way with you grown-up persons. You are always doing it.’

The king again hung his head, and said he wouldn’t do so any more.

‘Be good, then,’ said the Fairy Grandmarina, ‘and don’t! Tell the Princess Alicia, with my love, that the fish-bone is a magic present which can only be used once; but that it will bring her, that once, whatever she wishes for, PROVIDED SHE WISHES FOR IT AT THE RIGHT TIME. That is the message. Take care of it.’

The king was beginning, ‘Might I ask the reason?’ when the fairy became absolutely furious.

‘WILL you be good, sir?’ she exclaimed, stamping her foot on the ground. ‘The reason for this, and the reason for that, indeed! You are always wanting the reason. No reason. There! Hoity toity me! I am sick of your grown-up reasons.’

The king was extremely frightened by the old lady’s flying into such a passion, and said he was very sorry to have offended her, and he wouldn’t ask for reasons any more.

‘Be good, then,’ said the old lady, ‘and don’t!’

With those words, Grandmarina vanished, and the king went on and on and on, till he came to the office. There he wrote and wrote and wrote, till it was time to go home again. Then he politely invited the Princess Alicia, as the fairy had directed him, to partake of the salmon. And when she had enjoyed it very much, he saw the fish-bone on her plate, as the fairy had told him he would, and he delivered the fairy’s message, and the Princess Alicia took care to dry the bone, and to rub it, and to polish it, till it shone like mother-of-pearl.

And so, when the queen was going to get up in the morning, she said, ‘O, dear me, dear me; my head, my head!’ and then she fainted away.

The Princess Alicia, who happened to be looking in at the chamber-door, asking about breakfast, was very much alarmed when she saw her royal mamma in this state, and she rang the bell for Peggy, which was the name of the lord chamberlain. But remembering where the smelling-bottle was, she climbed on a chair and got it; and after that she climbed on another chair by the bedside, and held the smelling-bottle to the queen’s nose; and after that she jumped down and got some water; and after that she jumped up again and wetted the queen’s forehead; and, in short, when the lord chamberlain came in, that dear old woman said to the little princess, ‘What a trot you are! I couldn’t have done it better myself!’

But that was not the worst of the good queen’s illness. O, no! She was very ill indeed, for a long time. The Princess Alicia kept the seventeen young princes and princesses quiet, and dressed and undressed and danced the baby, and made the kettle boil, and heated the soup, and swept the hearth, and poured out the medicine, and nursed the queen, and did all that ever she could, and was as busy, busy, busy as busy could be; for there were not many servants at that palace for three reasons: because the king was short of money, because a rise in his office never seemed to come, and because quarter-day was so far off that it looked almost as far off and as little as one of the stars.

But on the morning when the queen fainted away, where was the magic fish-bone? Why, there it was in the Princess Alicia’s pocket! She had almost taken it out to bring the queen to life again, when she put it back, and looked for the smelling-bottle.

After the queen had come out of her swoon that morning, and was dozing, the Princess Alicia hurried up-stairs to tell a most particular secret to a most particularly confidential friend of hers, who was a duchess. People did suppose her to be a doll; but she was really a duchess, though nobody knew it except the princess.

This most particular secret was the secret about the magic fish-bone, the history of which was well known to the duchess, because the princess told her everything. The princess kneeled down by the bed on which the duchess was lying, full-dressed and wide awake, and whispered the secret to her. The duchess smiled and nodded. People might have supposed that she never smiled and nodded; but she often did, though nobody knew it except the princess.

Then the Princess Alicia hurried down-stairs again, to keep watch in the queen’s room. She often kept watch by herself in the queen’s room; but every evening, while the illness lasted, she sat there watching with the king. And every evening the king sat looking at her with a cross look, wondering why she never brought out the magic fish-bone. As often as she noticed this, she ran upstairs, whispered the secret to the duchess over again, and said to the duchess besides, ‘They think we children never have a reason or a meaning!’ And the duchess, though the most fashionable duchess that ever was heard of, winked her eye.

‘Alicia,’ said the king, one evening, when she wished him good-night. ‘Yes, papa.’

‘What is become of the magic fish-bone?’

‘In my pocket, papa!’

‘I thought you had lost it?’

‘O, no, papa!’

‘Or forgotten it?’

‘No, indeed, papa.’

And so another time the dreadful little snapping pug-dog, next door, made a rush at one of the young princes as he stood on the steps coming home from school, and terrified him out of his wits; and he put his hand through a pane of glass, and bled, bled, bled. When the seventeen other young princes and princesses saw him bleed, bleed, bleed, they were terrified out of their wits too, and screamed themselves black in their seventeen faces all at once. But the Princess Alicia put her hands over all their seventeen mouths, one after another, and persuaded them to be quiet because of the sick queen. And then she put the wounded prince’s hand in a basin of fresh cold water, while they stared with their twice seventeen are thirty-four, put down four and carry three, eyes, and then she looked in the hand for bits of glass, and there were fortunately no bits of glass there. And then she said to two chubby-legged princes, who were sturdy though small, ‘Bring me in the royal rag-bag: I must snip and stitch and cut and contrive.’ So these two young princes tugged at the royal rag-bag, and lugged it in; and the Princess Alicia sat down on the floor, with a large pair of scissors and a needle and thread, and snipped and stitched and cut and contrived, and made a bandage, and put it on, and it fitted beautifully; and so when it was all done, she saw the king her papa looking on by the door.

‘Alicia.’

‘Yes, papa.’

‘What have you been doing?’

‘Snipping, stitching, cutting, and contriving, papa.’

‘Where is the magic fish-bone?’

‘In my pocket, papa.’

‘I thought you had lost it?’

‘O, no, papa.’

‘Or forgotten it?’

‘No, indeed, papa.’

After that, she ran up-stairs to the duchess, and told her what had passed, and told her the secret over again; and the duchess shook her flaxen curls, and laughed with her rosy lips.

Well! and so another time the baby fell under the grate. The seventeen young princes and princesses were used to it; for they were almost always falling under the grate or down the stairs; but the baby was not used to it yet, and it gave him a swelled face and a black eye. The way the poor little darling came to tumble was, that he was out of the Princess Alicia’s lap just as she was sitting, in a great coarse apron that quite smothered her, in front of the kitchen-fire, beginning to peel the turnips for the broth for dinner; and the way she came to be doing that was, that the king’s cook had run away that morning with her own true love, who was a very tall but very tipsy soldier. Then the seventeen young princes and princesses, who cried at everything that happened, cried and roared. But the Princess Alicia (who couldn’t help crying a little herself) quietly called to them to be still, on account of not throwing back the queen up-stairs, who was fast getting well, and said, ‘Hold your tongues, you wicked little monkeys, every one of you, while I examine baby!’ Then she examined baby, and found that he hadn’t broken anything; and she held cold iron to his poor dear eye, and smoothed his poor dear face, and he presently fell asleep in her arms. Then she said to the seventeen princes and princesses, ‘I am afraid to let him down yet, lest he should wake and feel pain; be good, and you shall all be cooks.’ They jumped for joy when they heard that, and began making themselves cooks’ caps out of old newspapers. So to one she gave the salt-box, and to one she gave the barley, and to one she gave the herbs, and to one she gave the turnips, and to one she gave the carrots, and to one she gave the onions, and to one she gave the spice-box, till they were all cooks, and all running about at work, she sitting in the middle, smothered in the great coarse apron, nursing baby. By and by the broth was done; and the baby woke up, smiling, like an angel, and was trusted to the sedatest princess to hold, while the other princes and princesses were squeezed into a far-off corner to look at the Princess Alicia turning out the saucepanful of broth, for fear (as they were always getting into trouble) they should get splashed and scalded. When the broth came tumbling out, steaming beautifully, and smelling like a nosegay good to eat, they clapped their hands. That made the baby clap his hands; and that, and his looking as if he had a comic toothache, made all the princes and princesses laugh. So the Princess Alicia said, ‘Laugh and be good; and after dinner we will make him a nest on the floor in a corner, and he shall sit in his nest and see a dance of eighteen cooks.’ That delighted the young princes and princesses, and they ate up all the broth, and washed up all the plates and dishes, and cleared away, and pushed the table into a corner; and then they in their cooks’ caps, and the Princess Alicia in the smothering coarse apron that belonged to the cook that had run away with her own true love that was the very tall but very tipsy soldier, danced a dance of eighteen cooks before the angelic baby, who forgot his swelled face and his black eye, and crowed with joy.

And so then, once more the Princess Alicia saw King Watkins the First, her father, standing in the doorway looking on, and he said, ‘What have you been doing, Alicia?’

‘Cooking and contriving, papa.’

‘What else have you been doing, Alicia?’

‘Keeping the children light-hearted, papa.’

‘Where is the magic fish-bone, Alicia?

‘In my pocket, papa.’

‘I thought you had lost it?’

‘O, no, papa!’

‘Or forgotten it?’

‘No, indeed, papa.’

The king then sighed so heavily, and seemed so low-spirited, and sat down so miserably, leaning his head upon his hand, and his elbow upon the kitchen-table pushed away in the corner, that the seventeen princes and princesses crept softly out of the kitchen, and left him alone with the Princess Alicia and the angelic baby.

‘What is the matter, papa?’

‘I am dreadfully poor, my child.’

‘Have you no money at all, papa?’

‘None, my child.’

‘Is there no way of getting any, papa?’

‘No way,’ said the king. ‘I have tried very hard, and I have tried all ways.’

When she heard those last words, the Princess Alicia began to put her hand into the pocket where she kept the magic fish-bone.

‘Papa,’ said she, ‘when we have tried very hard, and tried all ways, we must have done our very, very best?’

‘No doubt, Alicia.’

‘When we have done our very, very best, papa, and that is not enough, then I think the right time must have come for asking help of others.’ This was the very secret connected with the magic fish-bone, which she had found out for herself from the good Fairy Grandmarina’s words, and which she had so often whispered to her beautiful and fashionable friend, the duchess.

So she took out of her pocket the magic fish-bone, that had been dried and rubbed and polished till it shone like mother-of-pearl; and she gave it one little kiss, and wished it was quarter-day. And immediately it WAS quarter-day; and the king’s quarter’s salary came rattling down the chimney, and bounced into the middle of the floor.

But this was not half of what happened, – no, not a quarter; for immediately afterwards the good Fairy Grandmarina came riding in, in a carriage and four (peacocks), with Mr. Pickles’s boy up behind, dressed in silver and gold, with a cocked-hat, powdered-hair, pink silk stockings, a jewelled cane, and a nosegay. Down jumped Mr. Pickles’s boy, with his cocked-hat in his hand, and wonderfully polite (being entirely changed by enchantment), and handed Grandmarina out; and there she stood, in her rich shot-silk smelling of dried lavender, fanning herself with a sparkling fan.

‘Alicia, my dear,’ said this charming old fairy, ‘how do you do? I hope I see you pretty well? Give me a kiss.’

The Princess Alicia embraced her; and then Grandmarina turned to the king, and said rather sharply, ‘Are you good?’ The king said he hoped so.

‘I suppose you know the reason NOW, why my god-daughter here,’ kissing the princess again, ‘did not apply to the fish-bone sooner?’ said the fairy.

The king made a shy bow.

‘Ah! but you didn’t THEN?’ said the fairy.

The king made a shyer bow.

‘Any more reasons to ask for?’ said the fairy.

The king said, No, and he was very sorry.

‘Be good, then,’ said the fairy, ‘and live happy ever afterwards.’

Then Grandmarina waved her fan, and the queen came in most splendidly dressed; and the seventeen young princes and princesses, no longer grown out of their clothes, came in, newly fitted out from top to toe, with tucks in everything to admit of its being let out. After that, the fairy tapped the Princess Alicia with her fan; and the smothering coarse apron flew away, and she appeared exquisitely dressed, like a little bride, with a wreath of orange-flowers and a silver veil. After that, the kitchen dresser changed of itself into a wardrobe, made of beautiful woods and gold and looking glass, which was full of dresses of all sorts, all for her and all exactly fitting her. After that, the angelic baby came in, running alone, with his face and eye not a bit the worse, but much the better. Then Grandmarina begged to be introduced to the duchess; and, when the duchess was brought down, many compliments passed between them.

A little whispering took place between the fairy and the duchess; and then the fairy said out loud, ‘Yes, I thought she would have told you.’ Grandmarina then turned to the king and queen, and said, ‘We are going in search of Prince Certainpersonio. The pleasure of your company is requested at church in half an hour precisely.’ So she and the Princess Alicia got into the carriage; and Mr. Pickles’s boy handed in the duchess, who sat by herself on the opposite seat; and then Mr. Pickles’s boy put up the steps and got up behind, and the peacocks flew away with their tails behind.

Prince Certainpersonio was sitting by himself, eating barley-sugar, and waiting to be ninety. [2] When he saw the peacocks, followed by the carriage, coming in at the window it immediately occurred to him that something uncommon was going to happen.

‘Prince,’ said Grandmarina, ‘I bring you your bride.’ The moment the fairy said those words, Prince Certainpersonio’s face left off being sticky, and his jacket and corduroys changed to peach-bloom velvet, and his hair curled, and a cap and feather flew in like a bird and settled on his head. He got into the carriage by the fairy’s invitation; and there he renewed his acquaintance with the duchess, whom he had seen before.

In the church were the prince’s relations and friends, and the Princess Alicia’s relations and friends, and the seventeen princes and princesses, and the baby, and a crowd of the neighbours. The marriage was beautiful beyond expression. The duchess was bridesmaid, and beheld the ceremony from the pulpit, where she was supported by the cushion of the desk.

Grandmarina gave a magnificent wedding-feast afterwards, in which there was everything and more to eat, and everything and more to drink. The wedding-cake was delicately ornamented with white satin ribbons, frosted silver, and white lilies, and was forty-two yards round.

When Grandmarina had drunk her love to the young couple, and Prince Certainpersonio had made a speech, and everybody had cried, Hip, hip, hip, hurrah! Grandmarina announced to the king and queen that in future there would be eight quarter-days in every year, except in leap-year, when there would be ten. She then turned to Certainpersonio and Alicia, and said, ‘My dears, you will have thirty-five children, and they will all be good and beautiful. Seventeen of your children will be boys, and eighteen will be girls. The hair of the whole of your children will curl naturally. They will never have the measles, and will have recovered from the whooping-cough before being born.’

On hearing such good news, everybody cried out ‘Hip, hip, hip, hurrah!’ again.

‘It only remains,’ said Grandmarina in conclusion, ‘to make an end of the fish-bone.’

So she took it from the hand of the Princess Alicia, and it instantly flew down the throat of the dreadful little snapping pug-dog, next door, and choked him, and he expired in convulsions.

The Old Wolf has spoken. No reason. There! Hoity toity me! I am sick of your grown-up reasons.’


[1] I, however, first encountered the story in a volume of Best in Children’s Books; the delightful illustrations for the story, of which I have included one, are by Robin Jacques.
[2] I know of few authors beside Dickens who could come up with a sentence like this and make it work in a story.

Where the sidewalk ends

I share this because it pleases me. No other reason. There.

m30m2o0

Over at reddit, user /u/corilee93 posted this picture, and /u/kilroylegend provided the reference. I have always loved the work of Shel Silverstein:

There is a place where the sidewalk ends
And before the street begins,
And there the grass grows soft and white,
And there the sun burns crimson bright,
And there the moon-bird rests from his flight
To cool in the peppermint wind.

Let us leave this place where the smoke blows black
And the dark street winds and bends.
Past the pits where the asphalt flowers grow
We shall walk with a walk that is measured and slow,
And watch where the chalk-white arrows go
To the place where the sidewalk ends.

Yes we’ll walk with a walk that is measured and slow,
And we’ll go where the chalk-white arrows go,
For the children, they mark, and the children, they know
The place where the sidewalk ends.

Shel Silverstein

The Old Wolf has spoken.

Mathematical Fiction Re-discovered on the Internet

I learned to love Science Fiction as a child; the first story I read was “Have Spacesuit, Will Travel,” by Robert Heinlein. I was hooked at once. Over the years I have read thousands of novels and stories, many of them remembered only in bits and snatches from decades ago.

Thanks to the Internet, many of my favorite stories have re-surfaced, indexed by the all-powerful Google – which makes this post somewhat meta in nature.

One such story was the delightful “MS Fnd in a Lbry“, written in 1961 by Hal Draper. My mother’s name was Draper, but this was a name adopted by the family to avoid anti-semitism, so there is unfortunately no relation.

Draper took a break from his life’s work of promoting Marxism, and wrote one science fiction story. The information explosion, and associated storage and retrieval problems, is humorously examined in this short story. (This story is also of historical interest, containing one of the earliest predictions of the Web.) The story originally appeared in the December 1961 issue of the magazine Fantasy and Science Fiction. Reprinted in Isaac Asimov and Janet Jeppson (eds) Laughing Space and Groff Conklin (ed) 17 Times Infinity.

All I did was search for “nudged quanta,” and there it was. And I thought to do it because of a photo I happened across at reddit, courtesy of /u/o0OIDaveIO0o, and then posted to Facebook:

euUzNT1

In just 25 years. One of the microcards at the bottom stores more than all the others combined. While not directly associated with Moore’s Law, the rapid progression of storage miniaturization has been mind-boggling, especially for those of us who lived through the early days of computers. Nowadays kids take massive storage like this for granted, but to see 16 gigabytes of data stored in a piece of plastic smaller than my fingernail simply boggles my mind, even though I used the technology daily.

CoreMemory03

 

We’ve come a long way from An Wang’s 1955 patent for core memory – 1 bit per doughnut.

The Old Wolf has spoken.

Merged Books. Old, but eternal

A translator colleague first sent me this in 1999. It’s out on the net, but you have to know just what you’re looking for to find it. It is hard to find the right words to express how much I like this.

Mergematic books from the Washington Post Invitational: Readers were asked to combine the works of two authors and provide a suitable blurb. Back to the books.

The overall winner is also the Rookie of the Week:

Second Runner Up: “Machiavelli’s The Little Prince” Antoine de Saint Exupery’s classic children’s tale as presented by Machiavelli. The whimsy of human nature is embodied in many delightful and intriguing characters, all of whom are executed. (Erik Anderson, Tempe, Ariz.)

First Runner Up:

“Green Eggs and Hamlet”
Would you kill him in his bed?
Thrust a dagger through his head?
I would not, could not, kill the King.
I could not do that evil thing.
I would not wed this girl, you see.
Now get her to a nunnery. (Robin Parry, Arlington)

And the Winner of the Dancing Critter: “Fahrenheit 451 of the Vanities” An ’80s yuppie is denied books. He does not object, or even notice. (Mike Long, Burke)

Honorable Mentions:

“2001: A Space Iliad” The Hal 9000 computer wages an insane 10 year war against the Greeks after falling victim to the Y2K bug. (Joseph Romm, Washington)

“Curious Georgefather” The monkey finally sticks his nose where it don’t belong. (Chuck Smith, Woodbridge)

“The Hunchback Also Rises” Hideously deformed fellow is cloistered in bell tower by despicable clergymen. And that’s the good news … (John Verba, Washington)

“The Maltese Faulkner” Is the black bird a tortured symbol of Sam’s struggles with race and family? Does it signify his decay of soul along with the soul of the Old South? Is it merely a crow, mocking his attempts to understand? Or is it worth a cool mil? (Thad Humphries, Warrenton)

“The Silence of the Hams” In this endearing update of the
Seuss classic, young Sam I Am presses unconventional foodstuffs on his friend, Hannibal, who turns the tables. (Mark Eckenwiler, Washington)

“Jane Eyre Jordan”: Plucky English orphan girl survives hardships to lead the Chicago Bulls to the NBA championship. (Dave Pickering, Bowie)

“Nicholas and Alexandra Nickleby” Having narrowly escaped a Bolshevik firing squad, the former czar and czarina join a troupe of actors only to find that playing the Palace isn’t as grand as living in it. (Sandra Hull, Arlington)

“Catch 22 in the Rye” Holden learns that if you’re insane, you’ll probably flunk out of prep school, but if you’re flunking out of prep school, you’re probably not insane. (Brendan Beary, Great Mills)

“Tarzan of the Grapes” The beleaguered Okies of the dust bowl are saved by a strong and brave savage who swings from grapevine to grapevine. (Joseph Romm, Washington)

“Where’s Walden?” Alas, the challenge of locating Henry David Thoreau in each richly detailed drawing loses its appeal when it quickly becomes clear that he is always in the woods. (Sandra Hull, Arlington)

“Looking for Mr. Godot” A young woman waits for Mr. Right to enter her life. She has a looong wait. (Jonathan Paul, Garrett Park)

“Rikki Kon Tiki Tavi” Thor Heyerdahl recounts his attempt to prove Rudyard Kipling’s theory that the mongoose first came to India on a raft from Polynesia. (David Laughton, Washington) The Old Wolf has spoken

Book Review: Inferno (No spoilers)

the-abyss-1

It’s difficult to share a review of a book without giving anything away, and to say anything at all about Inferno might take the delight out of some tiny plot twist for someone else. All I can say is that I enjoyed this book immensely – it was a page-turner and no mistake; I started to read at about 2:00 PM, and finished around 11:30 that night. I found it a lot more plausible in story line than Angels and Demons or The Lost Symbol, and I got a huge amount of enjoyment out of the fact that I had been in all the cities where the action took place, spending a good deal of time in two of them.  Now I want to go back…  and I need to re-read La Divina Comedia. If it’s done well, this will be an outstanding movie. On that note, why they’re taking so long to turn Symbol into a movie is beyond me, unless they’re finding it too convoluted. Time will tell.

The Old Wolf has spoken.

The Life and Times of Maud Müller

While perusing a children’s book which once had belonged to my wife’s stepfather (I was checking it out to see if it was worth keeping, but it was too badly deteriorated), a scrap of paper fell out – an old newspaper clipping. Old and wrinkled, it was almost like cloth, and turned out to be a humorous poem about a young lady named Maud Muller.

Maud Miller on Skates

What I discovered was that the original was written by John Greenleaf Whittier, which includes the famous tag line, “For of all sad words of tongue or pen, The saddest are these: ‘It might have been!’ ” It appears that the others I have found are the equivalent of “fan fiction,” but I share them with you anyway in the spirit of fun.

MAUD MÜLLER

by: John Greenleaf Whittier (1807-1892)

MAUD MÜLLER, on a summer’s day,
Raked the meadows sweet with hay.
Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.

Singing, she wrought, and her merry glee
The mock-bird echoed from his tree.
But, when she glanced to the far-off town,
White from its hill-slope looking down,

The sweet song died, and a vague unrest
And a nameless longing filled her breast–
A wish, that she hardly dared to own,
For something better than she had known.

The Judge rode slowly down the lane,
Smoothing his horse’s chestnut mane.
He drew his bridle in the shade
Of the apple-trees, to greet the maid,

And ask a draught from the spring that flowed
Through the meadow across the road.
She stooped where the cool spring bubbled up,
And filled for him her small tin cup,

And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.
“Thanks!” said the Judge, “a sweeter draught
From a fairer hand was never quaffed.”

He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;
Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.

And Maud forgot her briar-torn gown,
And her graceful ankles bare and brown;
And listened, while a pleasant surprise
Looked from her long-lashed hazel eyes.

At last, like one who for delay
Seeks a vain excuse, he rode away,
Maud Muller looked and sighed: “Ah, me!
That I the Judge’s bride might be!

“He would dress me up in silks so fine,
And praise and toast me at his wine.
“My father should wear a broadcloth coat;
My brother should sail a painted boat.

“I’d dress my mother so grand and gay,
And the baby should have a new toy each day.
“And I’d feed the hungry and clothe the poor,
And all should bless me who left our door.”

The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.

“A form more fair, a face more sweet,
Ne’er hath it been my lot to meet.
“And her modest answer and graceful air
Show her wise and good as she is fair.

“Would she were mine, and I to-day,
Like her, a harvester of hay:
“No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,

“But low of cattle, and song of birds,
And health, and quiet, and loving words.”
But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.

So, closing his heart, the Judge rode on,
And Maud was left in the field alone.
But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;

And the young girl mused beside the well,
Till the rain on the unraked clover fell.
He wedded a wife of richest dower,
Who lived for fashion, as he for power.

Yet oft, in his marble hearth’s bright glow,
He watched a picture come and go:
And sweet Maud Muller’s hazel eyes
Looked out in their innocent surprise.

Oft when the wine in his glass was red,
He longed for the wayside well instead;
And closed his eyes on his garnished rooms,
To dream of meadows and clover-blooms.

And the proud man sighed, with a secret pain,
“Ah, that I were free again!
“Free as when I rode that day,
Where the barefoot maiden raked her hay.”

She wedded a man unlearned and poor,
And many children played round her door.
But care and sorrow, and child-birth pain,
Left their traces on heart and brain.

And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,
And she heard the little spring brook fall
Over the roadside, through the wall,

In the shade of the apple-tree again
She saw a rider draw his rein,
And, gazing down with timid grace,
She felt his pleased eyes read her face.

Sometimes her narrow kitchen walls
Stretched away into stately halls;
The weary wheel to a spinnet turned,
The tallow candle an astral burned;

And for him who sat by the chimney lug,
Dozing and grumbling o’er pipe and mug,
A manly form at her side she saw,
And joy was duty and love was law.

Then she took up her burden of life again,
Saying only, “It might have been.”
Alas for maiden, alas for Judge,
For rich repiner and household drudge!

God pity them both! and pity us all,
Who vainly the dreams of youth recall;
For of all sad words of tongue or pen,
The saddest are these: “It might have been!”

Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;
And, in the hereafter, angels may
Roll the stone from its grave away!

(One Hundred Choice Selections. Ed. Phineas Garrett. Philadelphia: Penn Publishing Co., 1897.)

440px-Maud-Muller-Brown

John Gast, artist, after J.G. Brown

“Mr. Whittier’s statement of the origin of his poem “Maud Müller” is thus given. He was driving with his sister through York, U.S.A., and stopped at a harvest field to enquire the way. A young girl raking hay near the stone-wall stopped to answer their inquiries. Whittier noticed as she talked that she bashfully raked the hay around and over her bare feet, and she was fresh and fair. The little incident left its impression, and he wrote out the poem that very evening. “But if I had had any notion that the plaguey little thing would have been so liked, I should have taken more pains with it.” To the inquiry as to the title, Maud Müller, he said it was suggested to him, and was not a selection. It came as the poem came. But he gives it the short German pronunciation, as Meuler, not the broad Yankee, Muller.” (From Parodies of the works of English & American authors, Volume 5, p. 240)

MAUD MULLER IN WINTER

Maud Muller on a winter day
Went out upon the snow to sleigh.
Beneath her high heeled number six
Were a foot of hay and four hot bricks.
Singing she slode, and her merry glee
Shook the snow all off the tree.
“Wait till the clouds roll by!” she howled.
And as she passed the people scowled.
On her dexter side sat a fresh young dude
With his arm out of place as they sweetly slude.
But her howling died, and a vague distress
And a quart of snow filled the back of her dress.
For the reins were held in a careless hand,
And the basest drum in a parade’s band.
Went boom, bum, boom! And one cold day
A tandem left with an upturned sleigh.
Alas, for the dude! three cheers for the sleigh!
And hurrah for the chestnuts that ran away!
The saddest words at hier father’s door
Were these, “You needn’t cone back no more.”
The livery bill when he hied him thence
Was seventeen dollars and fifty cents.
-Boston Globe.

MAUD ON SKATES

Maud Muller, on a winter’s day
Went forth to learn to skate, they say –
Went forth did Maud with hopeful heart
To learn this graceful, joyous art;
I might as well distinctly state
She ne’er before had tried to skate.

* * * * *
This little row of twinkling stars
But mark the passage of the hours
That Maudie spent upon the pond
Since shortly after morn had dawned
The day was doen, the evening gloan
Was gathering as Maud rode home
Aboard a well-filled trolley car
That sped along with bump and jar;
Maud stood suspended from a strap;
She lacked her usual pep and snap;
Her skating cap was cocked awry –
A weary look was in her eye;
Her hair was in sad disarray
And she seemed neither blithe nor gay;
A gentleman who sat quite near
Looked up and saw the pretty dear;
He noticed she had skating been,
Also that she was quite all in’
Then up he rose on both his feet
And said, “Sweet creature, take my seat.”
Maud pulled a weary little sigh
And languidly she did reply:
“No thank you – keep your seat I pray –
I’ve just been sitting around all day!”
HOCKEY HANK

MRS. JUDGE JENKINS
[Being the only genuine sequel to “Maud Müller”)
By Bret Harte

“Maud Müller, all that summer day,
Raked the meadow sweet with hay;

But when he came, with smile and bow,
Maud only blushed, and stammered, “Ha-ow?”

And spoke of her “pa,” and wondered whether
He’d give consent they should wed together.

Old Muller burst in tears, and then
Begged that the Judge would lend him “ten;”

For trade was dull, and wages low,
And the “craps,” this year, were somewhat slow.

And ere the languid summer died,
Sweet Maud became the Judge’s bride.

But on the day that they were mated,
Maud’s brother Bob was intoxicated;

And Maud’s relations, twelve in all,
Were very drunk at the Judge’s hall.

And when the summer came again,
The young bride bore him babies twain;

And the Judge was blest, but thought it strange
That bearing children made such a change;

For Maud grew broad and red and stout,
And the waist that his arm once clasped about

Was more than he now could span; and he
Sighed as he pondered, ruefully,

How that which in Maud was native grace
In Mrs. Jenkins was out of place;

And thought of the twins, and wished that they
Looked less like the men who raked the hay

On Muller’s farm, and dreamed with pain
Of the day he wandered down the lane.

And looking down that dreary track,
He half regretted that he came back;

For, had he waited, he might have wed
Some maiden fair and thoroughbred;

For there be women fair as she,
Whose verbs and nouns do more agree.

Alas for maiden! alas for judge!
And the sentimental,—that’s one-half “fudge;”

For Maud soon thought the Judge a bore,
With all his learning and all his lore;

And the Judge would have bartered Maud’s fair face
For more refinement and social grace.

If, of all words of tongue and pen,
The saddest are, “It might have been,”

More sad are these we daily see:
“It is, but hadn’t ought to be.”

(From Parodies of the works of English & American authors, Volume 5, p. 240)

 

The Ultimate Portal

229671_186246791530158_1090605619_n

I can still hear the jingle from one of our local bookstores. It’s cheesy, but it stuck in my head, and I remember it because it’s so true.

♫ When you open a book from Deseret Book,
You open a wonderful door!
It leads beyond the things you see
On a journey of discovery… ♫

Books were my best friends growing up. I was small and introverted as a child, and books were wonderful, thrilling… and safe.

I cut my reading teeth on “Peanuts” at age 5, devoured books by Richard Scarry and Virginia Lee Burton, Gelett Burgess, Munro Leaf and many others; graduated to things by A.A. Milne and E.B. White and Robert Louis Stevenson; read The Hobbit in grade school (actually it was read to us), and stayed up all night for several nights running reading The Lord of the Rings in 1965 when it came out, the first time in my life I was unable to put a book down.

I wept through Saroyan’s The Human Comedy and Steinbeck’s Grapes of Wrath, and devoured my father’s collection of science fiction anthologies, which I later inherited, and still treasure. In college I became enamored of the realists – Twain, James, and Howells, among others, and although I choked on Thomas Hardy in high school, I shouted with glee on almost every page of The Mayor of Casterbridge when I re-read it (for pleasure!) four years later. Orwell, Huxley, Asimov, Salinger, Clarke, Camus, Sartre, St. Exupéry, Victor Hugo, Proust – oh, those long sentences! – and so many, many others… the list goes on forever.

Reading gave me a love of language, both my own and that of others. Some of my favorite examples of beautiful writing I have shared before. And the journeys I took in my imagination long before I ever set foot outside of my own country took me to the edges of the universe and back. To quote O. Henry again, from the aforementioned “A Municipal Report:”

“On the surface,” said Azalea Adair. “I have traveled many times around the world in a golden airship wafted on two wings – print and dreams. I have seen (on one of my imaginary tours) the Sultan of Turkey bowstring with his own hands one of his wives who had uncovered her face in public. I have seen a man in Nashville tear up his theatre tickets because his wife was going out with her face covered – with rice powder. In San Francisco’s Chinatown I saw the slave girl Sing Yee dipped slowly, inch by inch, in boiling almond oil to make her swear she would never see her American lover again. She gave in when the boiling oil had reached three inches above her knee. At a euchre party in East Nashville the other night I saw Kitty Morgan cut dead by seven of her schoolmates and lifelong friends because she had married a house painter. The boiling oil was sizzling as high as her heart; but I wish you could have seen the fine little smile that she carried from table to table. Oh, yes, it is a humdrum town. Just a few miles of red brick houses and mud and lumber yards.”

Azalea Adair knew: books are the ultimate portals.

Portal Cake 2

 

And there’s so much more than cake to be had.

The Old Wolf has spoken.

Perspective

Perspective

Found at the Chicago Public Library. 

Books give you a better perspective on life.

Some wag over at Reddit posted this filk:

LreCOuB

It’s not a bad analogy. Books serve many functions. They make you smarter, increase your vocabulary, help you write better, improve your analytical thinking, reduce stress, bump your memory skills, broaden your horizons, help you see deeper into reality, and they can be a delightful escape from life’s challenges. The image above implies that books occasionally present a dark reality; “If it be true I am content to have paid the price–for the memory.”[1]

The Old Wolf has spoken.


[1] James, Henry, “The Real Thing.”

Happy Anniversary to me.

Wordpress

I am told that today is my 4th anniversary as a registered WordPress user, although I’ve only been keeping up this particular blog for just under a year now (I began on the 26th of April, 2012). I’ve appreciated the responses and input that I have gotten from my readers and look forward to continuing in the same vein, and perhaps even expanding my reach.

I have many  more essays percolating in the back of my mind, and will pour them out when they are ready. Actually, a lot of them are like cowboy coffee:

  1. Add 1 lb. coffee to a bucket of water.
  2. Set on the fire to boil.
  3. Toss in a horseshoe.
  4. When the horseshoe floats to the top, it’s ready.

Which reminds me of a poem that I have known for about 40 years. I will share with you here, for no other reason than that it occurred to me:

The Indispensable Man
(by Saxon White Kessinger)

Sometime when you’re feeling important;
Sometime when your ego’s in bloom;
Sometime when you take it for granted,
You’re the best qualified in the room:
Sometime when you feel that your going,
Would leave an unfillable hole,
Just follow these simple instructions,
And see how they humble your soul.

Take a bucket and fill it with water,
Put your hand in it up to the wrist,
Pull it out and the hole that’s remaining,
Is a measure of how much you’ll be missed.
You can splash all you wish when you enter,
You may stir up the water galore,
But stop, and you’ll find that in no time,
It looks quite the same as before.

The moral of this quaint example,
Is to do just the best that you can,
Be proud of yourself but remember,
There’s no indispensable man.

The Old Wolf has spoken.