The Czar of the Tenderloin

When I was little, my mother used to sing bits and snatches of songs to me  that she remembered from her own childhood. One that always stuck in my mind was “The Czar of the Tenderloin,” which she told me she often heard sung by her uncle, Leo Marshall.

Frances, Lucille, Bill & Vic Rogers with Leo Marshall

Leo Marshall, center in rear, with his wife Lucile Rogers Marshall (right front) and her siblings Frances, William, and Victor, December 1970

Years later, at the 80th birthday party of my grandmother Frances, (Leo’s sister-in-law), he sang it for the assembled family one last time. It was two years before his death, and the rendition was hesitant and shaky, but all the more lovely for his still being able to remember as much as he did.

As I grew older, I often wondered about the origins of the song, and if there were any more of it than the little bits Mother sang.

And then came the Internet, the modern-day Areopagus (Acts 17:21). As the body of the world’s knowledge is slowly but surely gathered and preserved online, not everything happens at once. For years I searched and scraped the web, but always came up poor… until today.

Czar1

Notice the nightstick on the cover.

Czar2 Czar3 Czar4 Czar5

The Lyrics

America has a President and England has a Queen,
While Germany’s great Emperor sits ruling all serene,
The Indians have their medicine man, Bavaria a king,
But none of these high diplomats are quite the proper thing.

For in gay New York where the gay Bohemians dwell,
There’s a Colony called the Tenderloin, though why I cannot tell,
A certain man controls the place with no regard for coin,
The Czar, the Czar, the Czar of the Tenderloin.

Chorus:

The Czar of the Tenderloin,
With great propriety, seeks notoriety,
But the girls all shun the society
Of the Czar of the Tenderloin.

Each evening through the Tenderloin the Czar will gayly prance,
With whiskers well divided just to give the wind a chance,
His bodyguard behind him scouting for a finish fight,
Arresting everything that’s left because it isn’t right.

Piano legs must now be clothed with care,
And he’s ordered all the trees cut down because their limbs were bare,
He’s going to build a little church which everyone must join,
The Czar, the Czar, the Czar of the Tenderloin.

Chorus

His hobby is arresting shoes whenever they are tight,
He also nabs electric lights when when they go out at night,
The sun came out one morning and he ordered its arrest,
The moon was full, he pulled it in and claimed it was a pest.

One day on the Tenderloin, a maiden changed her mind,
Now the Czar thought that was naughty so the girl was quickly “fined.”
He arrested a cook for beating an egg, now don’t that take the coin,
The Czar, the Czar, the Czar of the Tenderloin.

Chorus

This 1897 song by Bob Cole and Billy Johnson is based on the life and times of Alexander S. “Clubber” Williams, a notoriously corrupt but effective police inspector who ruled over New York’s Tenderloin district with an iron fist and a wooden club. At the end of his career he was reputed to have said that he never clubbed anyone who didn’t deserve it. The name of that part of town, the northwest corner of which is now Times Square, came from William’s statement that “I’ve been having chuck steak ever since I’ve been on the force, and now I’m going to have a bit of tenderloin,” said because of the lucrative business of protection payments from legitimate and illegitimate businesses alike. Prior to Williams’ reign, the district was known as “Satan’s Circus.” San Francisco also has a Tenderloin district, and the term has come to be synonymous with a seedy, ill-reputed or red-light district of town.

Tenderloin

Manhattan’s historical districts, the Tenderloin indicated by a star.

220556155046

Emile Berliner’s Gramophone 78 rpm record. “The Czar of the Tenderloin,” sung by Will F. Denny. Recorded July 14, 1897

With thanks to Tim Gracyk, you can hear Will F. Denny singing an abridged version of the song at YouTube, but I can still hear Uncle Leo singing it as clearly as though it were yesterday.

The Old Wolf has spoken.

Bluegrass, Celtic, or Old Time?

I love all of these genres, so I was delighted to see a blog post over at Bluegrass Nation which lays out in very clear terms how to tell the difference between them. Some of their article may be tongue-in-cheek or at least light-hearted, but I found it a great read.

Lushpup-Images-Inst-Makers41-e1316041723518-640x198

The Music

Old Time and Celtic songs are about whiskey, food and struggle. Bluegrass songs are about God, mother and the girl who did me wrong. If the girl isn’t dead by the third verse, it ain’t Bluegrass. If everyone dies, it’s Celtic…

The Instruments

Banjo
A Celtic banjo is small and quiet. An Old Time banjo is open-backed, with an old towel (probably never washed) stuffed in the back to dampen sound. A Bluegrass banjo has bell bronze mastertone tone ring and a resonator to make it louder…

Fiddle
The Bluegrass fiddler paid $10,000 for his fiddle at the Violin Shop in Nashville. The Celtic fiddler inherited his fiddle from his mothers 2nd cousin in County Clare. The Old Time fiddler got theirs for $15 at a yard sale…

Read the full post over at Bluegrass Nation.

The Old Wolf has spoken.

Zorba! The Lyrics

ZorbaLP1

One of my all-time favorite albums – I deeply regret I was never able to see the original Broadway production. I could have, I was living in New York at the time, but it just didn’t happen.

I’ve long loved the songs in this wonderful and bittersweet story, but for some reason the lyrics to most of the songs never showed up on the Internet.

Here they are – my very best transcription. There are just a few blanks that I haven’t been able to figure out yet.

Music and lyrics Copyright Kander and Ebb

Life Is

Life is a glass of rum!
No!
Life is a sip of sage!
No!
Life is the taste of raki flowing warmly from the cup!

Shut up!

Life is a walnut leaf!
No!
Life is an olive tree!
No!
Life is a scented melon-breasted woman when her lips are red and full…
No!
Life is a barbered, planted orchard and two lovers passing by it!

Life is my fist in your face if you don’t keep quiet!
What did you say?
I said, “Life is my fist in your face if you don’t keep quiet!”
Oh? Oh? Oh! Oh!

Wait. Listen to me. I will tell you.

Life is what you do while you’re waiting to die,
Life is how the time goes by!
Life is where you wait while you’re waiting to leave,
Life is where where you grin and grieve!

Having if lucky, wanting if not,
Looking for the ruby underneath the rot,
Hungry for the pilaf in someone else’s pot,
But that’s the only choice you’ve got!

Life is where you stand just before you are flat!
Life is only that, mister,
Life is simply that, mister,
That and nothing more than that!

Life is what you feel,
‘Til you can’t feel at all,
Life is where you fly and fall!

Running for shelter, naked in the snow
Learning that the tear drops any where you go
Finding its the mud that makes the roses grow
That’s the only choice you know!

Wait! Once again…

Life is what you do while you’re waiting to die…
This is how the time goes by!

The First Time

I hear a bouzouki…
You can’t imagine how often I’ve heard a bouzouki,
But each time is the first time.

I sniff at a woman…
You can’t imagine how often I’ve sniffed at a woman,
But each time is the first time.

I pound on a table, I leap on a chair,
I crawl up a mountain, to breathe in the air,
By now I’ve stopped counting
How often I’ve been there,
But each time is the first time.

I look at a flower,
I stick my nose in, or stare at, or sleep on a flower,
But each time is the first time.

I soar like a seagull, I stamp like a bull,
I comb out my whiskers, so ladies can pull,
I chew on the mutton until my belly’s full,
But each time…

A hat, a dumbeg, a person, each time is new.
For instance, I came up and I talked to you.
Look how interesting I am!

(That’s true!)

Even if it’s not a long talk, even if you don’t talk the same language…
Do you want to hear a story?

(Well, I…)

Then I’ll tell you!

There was a night in Beirut
I never will forget
When I ran across the nicest man
I think I ever met

We were sitting drinking vodka
In this waterfront cafe;
I could tell he was a Turk,
But I liked him anyway!

Well, we had so much to drink
That we decided we should speak;
I’m not so good in Turkish,
He was even worse in Greek.

But we wanted to communicate,
And suddenly, by chance,
We hit upon a system,
And we both began to dance.

We couldn’t talk the language,
So we danced it all instead,
And the two of us could understand
What one another said.

So we had our conversation,
Which was crazy, I recall,
But it seemed it was the first time
I had ever talked at all!

Wait! You!

(Me?)

Show!

♬ Bouzouki music ♬

He says he’s from Ankara.

♬ Bouzouki music ♬

He says he has a wife and two small children.

♬ Bouzouki music ♬

He says he misses them very much!

♬ Bouzouki music ♬

So you see, he’s been away now for 18 months.

(No! 17!)

Say that again…

♬ Bouzouki music ♬

Seventeen…

(song continues…)

I walk with the Devil, he gives me a poke,
And all 10 commandments, go right up in smoke,
But each one I’ve broken, I feel that I broke for the first time!

The first time!

I talk to a stranger,
You can’t imagine how often I talk to a stranger,
But this time,
This time,
Is the first time!

House at the top of the hill

Zorba! Zorba!

There’s a house at the top of the hill
Where someone’s waiting for you.

There’s a room in the house at the top of the hill
Where someone’s waiting for you.
Waiting for you!

There’s a door to the room of the house at the top of the hill,
Where someone’s waiting for you.
Waiting for you!

There’s a woman at the door…
There’s a woman at the door…
There’s a woman at the door…
In a room in a house at the top of the hill,
Waiting for you!

Zorba!

And the roof is red!
And the woman is French!
And the walls are white!
And the woman is French!
And the steps run down!
And the woman is French!
And the well is cool!
And the woman is French!

At the house at the top of the hill!

Zorba!

And the ouzo’s weak!
And the veal is tough!
And the bed is hard!
And the sheet is rough!
And the bread is old!
And the wine is hot!
And the night is cold!
But the woman is not!

At the house at the top of the hill!

There’s a house at the top of the hill
Where someone’s waiting for you.
Waiting for you!

There’s a room in the house at the top of the hill
Where someone’s waiting for you.
Waiting for you!

There’s a door to the room of the house at the top of the hill,
Where someone’s waiting for you.
Waiting for you!

There’s a woman at the door…
There’s a woman at the door…

(Mme Hortense! Mme Hortense! People are here! Two men, coming up the hill!)

Zorba! Zorba!

There’s a house at the top of the hill
Where someone’s waiting for you.
Waiting for you…
Waiting for you!

No Boom Boom

Crete was in a state of revolution!
The fleets of four great powers anchored here…
Hmm… So, I also anchored here.
Four great powers!
Four admirals… ahh… you should have seen them!
There they were, my admirals, the image of romance,
From England, Russia, Italy, and France.
There they were, my brave quartet,
Dressed in their navy blues,
With wide, plumed hats, and golden braid,
And patent-leather shoes.

They were just about to fire… on Crete!
When on my knees, in my pink chemise,
I destructed them toute de suite!

By saying…

Please sir, little admiral, no Boom-boom!
Please sir, pretty admiral, no Boom-boom!

This evening when it’s dark, I’ll let you come to my room,
But first you have to promise, No Boom-boom!

Please sir, little admiral, no Boom-boom!
La la la la…
Please sir, little admiral, no Boom-boom!
La la la la…

This evening when it’s dark, I’d like to come to your room,
But first you have to promise, No Boom-boom!

And they listened to me!
Ah, we could see the Cretans through our binoculars…
They looked so tiny…

I seized the beard of the Italian admiral (I was more familiar with him)
I seized his beard and I said,
“My Canavaro, please don’t shoot the little people!”
Mmm… how nice he smelled…
How nice they all smelled…

My Frenchman smells of lemon, my Italian violet,
My English smell of something, I forget…
My Russian wore a musk they make from oily Georgian bark,
I learned each smell so I could tell tell between them in the dark!

They’d fill a bath with pink champagne, and throw me in the tub…
While two would drink, the other two would scrub!
We played that way until the day they set this island free,
And so my dear, if Crete’s still here, it’s all because of me!

It was I who kept the navy in tow!
But did your king ever say a thing? Or decorate me? No!

Please sir, little admiral, no Boom-boom!
That’s what I always used to say.

Please sir, pretty admiral, no Boom-boom!
I had a most convincing way.

This evening when it’s dark, I’ll let you come to my room,
But first you have to promise, No Boom-boom!

No boom-boom, hey boss! No boom-boom!

(Singing and laughing)

Please sir, little admiral, no Boom-boom!
Please sir, pretty admiral, no Boom-boom!
This evening when it’s dark, I’ll let you come to my room,
But first you have to promise,
Promise, promise, promise,
No Boom-boom!
No Boom-boom!
No boom, boom, boom!

The Butterfly

Not too fast, not too fast,
Let it grow, let it last,
Nature knows when and why…
The butterfly:

I remember one morning when I saw a cocoon in the bark of a tree,
I remember I marveled that imprisoned inside was a butterfly waiting to be free.
Not too fast, not too fast,
Let it grow, let it last,
Nature knows when and why…
Continue…

I was very impatient so I warmed the cocoon with the breath of my sighs,
And the butterfly trembled and began to emerge like a miracle right before my eyes.
Not too fast, not too fast,
Let it grow, let it last,
Nature knows when and why…
Sorry…

All at once I discovered that his delicate wings were all crumpled and torn,
When he still wasn’t ready I had made him be born.
I was stronger than nature and I had made him be born.
But the wonder of life had a definite plan,
So he died in my hand by the will, not of God, but of man.
Not too fast, not too fast…

Every man has a moment and I’m waiting for mine, when I’m finally free.
But I mustn’t be hurried.
Give me light…give me time.
Like the butterfly…
Like the butterfly…
Like the butterfly…
Like the butterfly…
Not too fast, not too fast,
Let it grow, let it last,
Nature knows when and why…

Think about the story of the butterfly,
Think about the story of the butterfly,
Think about the story of the butterfly,
Think about the story of the butterfly,

The butterfly…

Not too fast…

Goodbye, Canavaro

Goodbye, Canavaro!
Goodbye, Bouboulina!
Don’t forget me!
I won’t forget you!

Yes you will.
No I won’t.
Yes you will.
No I won’t!

Well, goodbye!

Wait, Canavaro!
What, Bouboulina?
A kiss! Of course! *smack*
Don’t forget me.
I won’t forget you!
How long will you be gone?
I’ll only be gone three days.
That’s time enough…
For what?
To forget me.
I won’t forget you.

Are you sure?
Yes I’m sure.
Very sure?
Very sure!
Well, we’ll see.

Wait, Canavaro!
What now, Bouboulina?
Will you bring me a present?
Yes, I’ll bring you a present.
You know, I’d like a ring.
I know you would… I’ll see.
No you won’t.
Yes I will.
No you won’t.
Yes I will!
Well… goodbye.

Adieu, Canavaro!
Adieu Bouboulina!
Don’t forget me!
I won’t forget you, I promise I won’t forget you,
I solemnly swear on my mother’s grave
I never, never, ever will forget you!

He’ll forget me.
No he won’t.
Yes he will.
No he won’t.
Yes he will. I know it’s true.

Why would he forget you?

Oh, I don’t know…
They always do.

But until they do… it’s very nice.

Grandpapa

A young man with no money is better than an old man with no money.
Goodbye, Grandpapa!

Grandpapa? Grandpapa? I’ll show you who’s Grandpapa!
Zorba! Zorba!

Listen! There are two Zorbas. The inner Zorba is as slender as a reed!
Look at that, look at that, poor old man is weak and fat!

He has thirty-two teeth!
Look at that, there’s no doubt, every tooth is falling out!

He wears a red carnation behind his ear!
Look at that, over there, golden beard but long white hair.
Asses hair!

This is the outside Zorba!
Look at that, Poor Zorba, old and feeble Grandpapa,
Weak and feeble Grandpapa.
Weak and feeble Grandpapa
Grandpapa, Grandpapa, Grandpapa, Grandpapa, Grandpapa,
Grandpapa, Grandpapa, Grandpapa, Grandpapa, Grandpapa!

(Zorba dances)

Only Love

To be loved again
To be not alone,
Oh, Mr. Niko,
Do you know what that means,
To have someone love you,
To open your heart, freely?
Love…
Give me love,
Only love…
What else is there?
Two eyes not seeing,
And two arms not sharing,
And two lips not feeling,
What good are they?
Doesn’t the night seem endless?
Doesn’t the day go slow?
Doesn’t the dark look friendless, and Oh!
What good is that?

So…
Give me love,
Only love…

That’s everything!

Two eyes start seeing,
And two arms start sharing,
And two lips start knowing how good it is!

To feel, to touch, to care!
For after all, after love, what else is there?

Niko! Niko!

There’s a girl at the bend of the road,
And she is waiting for you!
Waiting for you!

There’s a girl in a house at the bend of the road,
And she is waiting for you!
Waiting for you!

Niko!

There’s a girl in a room in a house at the bend of the road,
And she is waiting for you!
Waiting for you!

There’s a girl on a bed
There’s a girl on a bed
There’s a girl on a bed
In a room in a house at the bend of the road,
Waiting for you!

Niko!

But the night is warm and she needs no sheets,
So she kicks that sheet to the bottom of the bed,
To the bottom of the bed in the lonely room,
Of the house at the bend of the road.

Niko!

She will call your name, but when you won’t come,
She will sit and cry like a little girl,
Like a little girl on the empty bed
In the lonely room of the big old house,
The house at the bend of the road!

There’s a girl at the bend of the road,
And she is waiting for you!
Waiting for you!

There’s a girl in a house at the bend of the road,
And she is waiting for you!
Waiting for you!

There’s a girl in a room in a house at the bend of the road,
And she is waiting for you!
Waiting for you!

There’s a girl on the bed,
There’s a girl on the bed!

Who is it? Who is there?
It’s me, Niko!
Come in…

For after all, after love, what else is there?

Yassou!

For the servant of God, Alexis, and the servant of God, Hortense, now affianced together, we beg salvation, O Lord!

Dance Isaia
Dance Isaia
Isaia

Yassou! Yassou! Yassou! Yassou! Yassou!

A lily and a veil, to represent her purity,
A lily and a veil to be sure,
Ah! Ah!
Did you hear that? Did you hear that? I’m pure!

Yassou! Yassou! Yassou! Yassou! Yassou!

Some water from the well, to summon back his innocence,
The chalice and the water just for you!
Ah! Ah!
Canavaro! What? You’re my virgin too!

Yassou! Yassou! Yassou!

Wreaths of roses and cherries from the tree,
To show that she is married, she’s absolutely married,
She’s positively married,
She certainly is as married as she’ll ever be!

Yassou! Yassou! Yassou! Yassou! Yassou!

Confetti we can throw to represent our happiness,
Exchange the rings and drink the wine and then…

Dance Isaia
Dance Isaia
Isaia

Promise you will never part again!

Dance Isaia
Dance Isaia
Isaia

Canavaro? I promise!
Bouboulina? I promise!
Amen!

Yassou! Yassou! Yassou! Amen!
Yassou! Yassou! Yassou! Amen!

Come my sweet!
Let me give you the first respectable kiss you’ve ever had!

Amen!

Why Can’t I Speak?

Why can’t I Speak?
Why won’t the words come
Why do I stand here, trembling and silent?

Why can’t I speak?
Why am I frightened?
Why can’t I answer what he is asking?

Why can’t I Speak?
Why am I waiting?
Why don’t I say it?
Let out this feeling.

When we’re together, why won’t the words come?
Why can’t I Speak?

Excuse me for saying it, but it is wrong to keep your feelings locked up inside yourself.
Try to share your feelings freely. Share them with me!

Niko, I want you!
Niko I’ll say it: Niko, I feel like I’m living at last!
Niko I’ll be good to you,
Niko I’ll take care of you,
Niko [????]

Why can’t I speak?
Why won’t the words come
Why do I stand here, trembling and silent?

Why can’t I speak?
Why am I frightened?
Why can’t I answer what he is asking?

Why can’t I Speak?
Why am I waiting?
Why don’t I say it?
Let out this feeling.

Why can’t I speak?

Some day I know that we will be able to talk together!

Why?

I will be late for the Church.

The Crow

Soon we’ll here the crow whistle a low, beckoning note.
Then someone will turn, face to the wall, clutching her throat.

I want her watch!
I want her shoes!
I want her gown!
I want the ribbon!

Soon we’ll see the crow perch on the sill, stare at the door.
Then make up his wings, shadows that spill over the floor.
Crow, come from the clouds, black as the shroud she’s never worn,
Crow cackle and cry, what does it ????
Never was born!

Soon we’ll see the crow, circle and dive, flutter and climb,
Then, someone in bed, barely alive, knows it’s the time.

Look! Look!

Oh, Canavaro – how young I was, how beautiful, like a dove!
And you are beautiful still, my dove – and young!

So young!

My mother dressed me in a white organdy gown, and she said, “Ladies and Gentlemen, my beautiful daughter! It’s her birhtday, she’s 16 years old.”
And my mother said, “You will dance through life. You will dance all through life!”

My mother says that little girls are made of sugar.
Happy birthday! (Happy birthday!)
My mother says my life will be a wide, white ribbon.
Happy birthday! (Happy birthday!)
And all my tomorrows are waiting in a line
Shimmering, glimmering, soon to be mine.

My mother says, she looks at me and she remembers.
Happy birthday! (Happy birthday!)
She envies me the love I’m just about to see.
But she was yesterday (she was yesterday)
And I’m tomorrow (I’m tomorrow)
Happy birthday (Happy birthday)
To me!

La, la, la, la, la, la, la, la, la, la
Happy birthday! (Happy birthday!)
La, la, la, la, la, la, la, la, la, la
Happy birthday! (Happy birthday!)

And all my tomorrows are waiting in a line
Shimmering, glimmering, soon to be mine.

My mother says, she looks at me and she remembers.
Happy birthday! (Happy birthday!)
She envies me the love I’m just about to see.
But she was yesterday (she was yesterday)
And I’m tomorrow (I’m tomorrow)
Happy birthday (Happy birthday)
Happy birthday (Happy birthday)

Goodbye, Canavaro!
Goodbye, Bouboulina!
Don’t forget me…

I Am Free

I have nothing. I want nothing.
I am free!
I need nothing. I owe nothing!
I am free!

If my feet say, “Come this way!” I probably would,
But if they say, “Go that way!” that way is just as good.

I ask nothing.
I judge nothing.
I am free!

There is one Zorba, and that Zorba
I must be!

Heaven waits for other men, but not for me!
I fear nothing! I hope for nothing!
I am free!

Hey Boss, you wanna hear a story?
Yes.
You do? Then I’ll tell you.

One morning in Salonika, I never will forget,
I was passing by the oldest man I think I ever met.
He was kneeling in an orchard,
When he turned and looked at me,
And he said, “Come watch me, Sonny, as I plant this almond tree!”
I tell you, Boss, that fellow, he was over 95,
And I think he had a week, or maybe two to stay alive,
But he had to plant that almond tree, and when I asked him why,
He said, “I live every minute as if I would never die.”

Think of that, Boss! He lived as if he would never die.
I live as if I would die any minute!
For that reason… just that reason,

I am free!
I see somewhere, I go somewhere!
I am free!

Think of that whenever you remember me!
I fear nothing!
I hope for nothing!
I am free!

Dialog:

My boat doesn’t leave for an hour… I’ll walk a ways with you.
No, no, let’s do it quick, here and now,
Like men cut short smoking, wine, or a love affair.
Come! Embrace Zorba!

Life is what you do while you’re waiting to die,
Life is how the time goes by!

Having if lucky, wanting if not,
Looking for the ruby underneath the rot,
Hungry for the pilaf in someone else’s pot,
But that’s the only choice you’ve got!

Life is what you do while you’re waiting to die,
Life is how the time goes by!

This is how the time goes by!

Not only Mind 4 Sale, but also some fine artwork

I love promoting things that my friends – virtual and real – are doing. One of my online buddies, whose acquaintance I made through his music almost – Cushlamochree, can it be getting close to 30 years ago? – has launched a fine-art storefront, and I thought I’d put it out there for a bit more exposure.

Neon

Neon Doors Collage #13

Check out the artwork of Jan Edward Vogels: Jan is a musician, composer and videographer who has recently begun working in graphics. I enjoy his work a lot, and I think you might also. His music and other things can also be explored at http://mind4sale.com

The Old Wolf has spoken.

The Old Organ Sound

I previously wrote about theatre organs (also known as the Unit Orchestra); I love these instruments, and nowadays modern electronics have been pretty much able to replicate the sound (if not the charisma) of a massive wind-driven instrument.

In the early days of electronic organs, however, Hammond’s drawbar and tone-wheel instruments were king, much as Wang’s word processor, before the advent of Word Perfect, was the system to have in your office. Those days are a relic of the past, but if you’re an oldster and ever went out to the ball game, you’re sure to have heard the dulcet tones of a Hammond playing “Charge!”

In homage of these famous instruments, here’s a beautiful 1950’s Hammond B3 being played at American Music World in Chicago.

As a Dreingabe[1], here is Bernd Wurzenrainer playing the Ady Zehnpfennig version of “Apache” on a 1976 Böhm organ. Dr. Böhm’s organs differed from Hammond in that his tone generators employed subtractive synthesis (like Moog) rather than additive; the sound is crisper than the Hammond, but still has that rich, fluty tone that had appeal in those early days.

The Old Wolf has spoken.


[1] German for ‘freebie’.

The Old Maid and the Burglar

In 1959 or thereabouts, I was the proud possessor of a book called A Treasury of Laughs for Boys and Girls, edited by Joanna Strong and Tom B. Leonard, and published by Hart in 1948. I loved this book more than almost any other. As time went on, my copy was lost, and I mourned until I chanced to find in around 1990 (stuffed under the lowest shelf of the dirtiest used bookstore I have ever been in) another copy, which now occupies an honored place on my shelves.

One of the many pieces of wit and wisdom found in the book was the poem whose title graces this post. I reproduce it for you here – and I happened to think of it because of a verse in Lonnie Donegan’s song “Lively.”

OLD MAID AND THE BURGLAR

Oh, listen to the story of a burglar bold
Who broke into a house;
He opened the window and crept inside,
As silent as a mouse.

He hoped to get some swag;
He hoped to make a haul;
But if he’d known ’twas an old maid’s house,
He wouldn’t have had the gall.

At nine the skinny old maid came in;
“Oh, I’m so tired,” she said.
And thinking that all was quite all right,
She didn’t look under the bed.

She took out her teeth and her big glass eye,
And the hair from off her her head;
The burglar had a thousand fits
As he watched from under the bed!

From under the bed the burglar crept,
He was a total wreck.
The old maid wasn’t asleep at all;
She grabbed him by the neck.

She didn’t scream or holler or yell,
She was as calm as a clam;
And all she said was “Saints be praised!
At last I found a man!”

From under the pillow a pistol she took,
And to the burglar said,
“Young man, if you don’t marry me,
I’ll blow off the top of your head.”

Old Maid

The burglar was too scared to yell;
He was too scared to scoot –
He took one look at her big glass eye
And said, “For pity’s sake, shoot!”

There are a number of versions of this poem around – another set of verses can be found at The Mudcat Cafe, and here is a version set to song by Ernest Stoneman and his Dixie Mountaineers:

Some hunting around at YouTube will find other versions still. I’m glad some of them have been preserved for future generations.

The Old Wolf has spoken.

Cocktails for Two

“Cocktails for Two” is a song that was popular in the 30’s; this version is sung by Bing Crosby:

Spike Jones DMN ARCHIVES

Spike Jones

Spike Jones, however, had a lot more fun with this song; here are two versions, the first from a nightclub performance, the second a theatrical short. Both feature the vocalizations of “glugmaster” Carl Grayson, an extremely talented but tragic performer. Grayson’s writeup refers to “Hawaiian War Chant,” the last piece Jones did with Grayson’s participation[1] – you can hear it here, with the “glugging” beginning around 1’12”.)

Grayson

Carl Grayson

The Old Wolf has spoken.


[1]With the exception of some later guest appearances and recordings of “Morpheus” and “Carmen.”

Lively!

I can’t tell you when I heard this song for the first time – it’s literally been decades. But today I happened to use the phrase “it’s a penny to a quid” (similar to the US expression “it’s dimes to dollars”), and every time I hear or use that phrase, this song pops into my mind. And thanks to the miracle of the Internet, which is busy recording for posterity almost everything that can be salvaged – what a great historical tool it is, too – I can share it with you.

220px-Lonnie_Donegan

Lonnie Donovan was a British skiffle musician (Americans, think Jug Band) popular in the 1960’s.

Lively!

by Lonnie Donegan

Now, “lively” is a funny word
It means a lot of things
But to the burglar people
An urgent call it brings

Cause’ when they breakin’ open safes
Or nailin’ up mail vans
Lively! just means “Scarper boys”
To all the different gangs

Chorus:
Lively, lively, the night is going fast
Lively, lively, we both got murky pasts
Lively, lively, don’t leave that bloke untied
Cause’ if you did it’s a penny to a quid that we both end up inside!

Solo 1

We broke into a spinster’s house
While she was knelt in prayer
She was praying for a man
what sort she didn’t care

We had to dive beneath the bed
The dust fair made us sneeze
“Cor, that was quick!” the old girl cried
And jumped up off her knees!

Repeat Chorus

Solo 2

Now we rehearsed for days and days
A smash an’ grab to do
“You throw the brick” one bloke said
“And I’ll leave the grab to you”

The brick went through the window
“Now grab! – they cried – “And quick!”
It wasn’t till we got away I found I’d grabbed our brick!

[spoken]
Oh lively, lively…
Here…
I sung this song once at a policemen’s dance
But I was only singing for coppers
Oooo what a gagster

Whilst on the run once from the law I rushed into a church
I mixed with lots of people just to confuse the search
I’ve found meself right up the front, the best place I could hide
I had a fright when some bloke said “Got the ring? Here comes the bride!”
Whoops!

Chorus

Solo 3

The shop steward of our union was up before the judge
Who sentenced him to 18 months, our steward lodged a grudge
The maximum is twelve M’lud[1], the judge replied “What rot!”
You always wanted time and half and that’s just what you’ve got!”

Lively, lively, the night is going fast
Lively, lively, we both got murky pasts
Lively, lively, don’t leave that bloke untied
Or if you did it’s a penny to a quid
Oh Gawd Blimey, here comes Hymie
La, La, twopence[2] on your jar
(Different Voice) Rosin on the bow and here we go!
(yet another voice) Good luck then snapper, here comes the coppers!
(Lonnie again) I’ve had some beer, if we run in here…
We both end up insiiiiiiiiiiiiiiiide!

[1] M’lud = “My Lord”
[2] *twopence (pronounced “tuppence”) – The price you would get for taking clean Glass Jam Jars back to the shop, along with most types of glass bottles.

Here’s another example of Donovan’s work – Grand Coulee Dam

Lastly, a more modern example of Donegan’s work (he passed away in 2002), in the framework of an appearance on Michael Barrymore’s show (a British “Tonight Show” sort of thing.) Ignore Barrymore, he sort of mucks up the performance, but it shows Donegan toward the end of his life, still “lively!”.

The Old Wolf has spoken.

Practicing the Cello in Africa

tumblr_lj7l2sHLkT1qaocaco1_r1_1280

©2011, Andrew McConnell, Published in the Guardian. This photo earned the photojournalism award from American press photographers.

A BBC article gives some more information about the orchestra and chorus. The orchestra was featured in “Kinshasa Symphony,” one of the finalist films in the 6th Annual Africa World Documentary Film Festival.

  • Kinshasa Symphony (95m) by Klaus Wischmann (Germany)
    Two hundred orchestral musicians are playing Beethoven’s Ninth – Freude schöner Götterfunken. A power cut strikes just a few bars before the last movement. Problems like this are the least of the worries facing the only symphony orchestra in the Congo. In the 15 years of its existence, the musicians have survived two putsches, various crises and a war. But concentration on the music and hopes for a better future keeps them going. “Kinshasa Symphony” is a study of people in one of the world’s most chaotic cities doing their best to maintain one of the most complex systems of joint human endeavor, a symphony orchestra. The film is about the Democratic Republic of Congo, the people in Kinshasa and the power of music.

The Old Wolf has spoken.

A very pleasing Logo.

Some time ago I posted about the Hitachi logo:

Hitachi Logo

 

This last week I happened across an English-based logo that pleased me just as much and for precisely the same reasons:

p-brane-ep-4fe86d84f3970

 

 

 

Others who are more savvy about modern music will recognize the logo for Plaid; It’s been about 4 years since I took a road trip with my youngest son, and that’s when I learned almost everything I know about current bands, so I have no idea who they are other than what I read. But I like their logo.

The Old Wolf has spoken.