TV: It’s all smoke and mirrors

A humorous item from the past: If you’ve ever wondered what’s actually on a letter or document that someone in a TV show is reading, here’s a good example from “Leave it to Beaver” (Season 2: Episode 6 “Her Idol,” at time stamp 18:35)

Beaver Letter

Mr. Ward Cleaver
435 Mapleton Drive
Mayfield, State

My Dear Mr. Cleaver,

This paragraph has absolutely nothing to do with anything; it is here only to fill up space. Still, it is words, rather than repeated letters, since the letter might not give the proper appearance, namely, that of an actual note.

For that matter, all of this is nonsense, and the only part of this that is to be read is the last paragraph, which part is the inspired creation of the producers of this very fine series.

Another paragraph of stuff. Now is the time for all good men to come to the aid of their party. The quick brown fox jumps over the lazy dog. My typing is lousy, but the typewriter isn’t hot either. After all, why should I take the blame for these mechinal imperfections, with which all of us must contend. Lew Burdette just hit a home run and Milwaukee leads seven to one in the series. This is the last line of the filler material of the note. Oh, my mistake, that was only next to last. This is last.

I hope you can find a suitable explanation for Theodore’s unusual conduct.

Yours truly,
Cornelia Rayburn

Ja ja, so ist das Theater, mein Lieber. Nichts als Illusion.

The Old Wolf has spoken.

Frozen: The masterpiece, the controversies.

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Well, after a long wait for Frozen to come to the local budget theater, we finally saw it last night. Heartwarming, uplifting, technically brilliant, visually appealing, musically stunning, I left the movie house with tears in my eyes and a song in my heart. Huge props to everyone who had a hand in the creation of this masterpiece – the Oscar was imminently deserved, and although the wait was painful, but now the itch has been scratched. As soon as it is available on DVD, it will take an honored place in my collection.

Unfortunately, there are some folks who are not at all pleased with the effort. Some think the Sámi culture was minimized and disrespected:

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Supposedly the Sámi are “people of color,” and the representation of Kristoff on the right would have been more accurate, but just hop over to Google and search images for the Sámi people, and you’ll see for yourself that they’re a mixed bunch. Click through for a great article about the supposed “whitewash.” As for not including people of color, have a gander at this ballroom scene:

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… and those are just the ones I could see at first glance.

I first was introduced to the Sámi when I visited the Norwegian Folklore Museum in Oslo. Up until that time they had not been on my radar – there are so many cultures in the world it’s hard to become acquainted with all of them.

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Thanks to Globerider’s blog for the photo.

But they are a proud people with a distinct culture, language, and history, and I was pleased that the opening sequence of Frozen was an example of Joikthe traditional a capella chanting of the Sami people. Wikipedia notes that “Frode Fjellheim is a widely known joiker, known from Transjoik (earlier called Jazz Joik Ensemble). Fjellheim contributed the opening song to Disney’s holiday blockbuster Frozen, the yoik Eatnamen Vuelie (“Song of the Earth”).” If that’s not going right to the source, I don’t know what is.

Last are those who saw ulterior motives and messages in the film. I’m sorry to say that one of these is a member of my own community of faith. Having now seen the film myself, I can go on record as saying that I saw not a hint of “core message” dealing with the LGBT community, bestiality, or satanism. People with too much time on their hands can find virtually anything they look for anywhere, and reveal more about themselves than they do about the subject they are complaining about.

Nobody likes everything. Viggo Mortensen said “If you’re trying to please everyone, then you’re not going to make anything that is honestly yours, I don’t think, in the long run.” The adaptation of “The Snow Queen” that has now become “Frozen” is a unique product of its creators who gave their all to tell a beautiful story, and from where I sit the film is destined to take a high place of honor in the Disney repertoire.

The Old Wolf has spoken.

To the Bravery of the Swiss – The Lion of Lucerne

Even though I lived in Switzerland for around 5 months, I never had a chance to see the “Lion of Lucerne,” a stunning monument to the Swiss Guard who perished in 1792 during the French Revolution, when revolutionaries stormed the Tuileries Palace in Paris, France.

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Images: Wikipedia

This beautiful tribute was designed after 1818 by noted Danish sculptor Bertel Thorvaldsen[1], and carved between 1819 and 1820 by Lukas Ahorn.

Of this statue, Mark Twain said:

“The commerce of Lucerne consists mainly in gimcrackery of the souvenir sort; the shops are packed with Alpine crystals, photographs of scenery, and wooden and ivory carvings. I will not conceal the fact that miniature figures of the Lion of Lucerne are to be had in them. Millions of them. But they are libels upon him, every one of them. There is a subtle something about the majestic pathos of the original which the copyist cannot get. Even the sun fails to get it; both the photographer and the carver give you a dying lion, and that is all. The shape is right, the attitude is right, the proportions are right, but that indescribable something which makes the Lion of Lucerne the most mournful and moving piece of stone in the world, is wanting.

The Lion lies in his lair in the perpendicular face of a low cliff–for he is carved from the living rock of the cliff. His size is colossal, his attitude is noble. How head is bowed, the broken spear is sticking in his shoulder, his protecting paw rests upon the lilies of France. Vines hang down the cliff and wave in the wind, and a clear stream trickles from above and empties into a pond at the base, and in the smooth surface of the pond the lion is mirrored, among the water-lilies.

Around about are green trees and grass. The place is a sheltered, reposeful woodland nook, remote from noise and stir and confusion–and all this is fitting, for lions do die in such places, and not on granite pedestals in public squares fenced with fancy iron railings. The Lion of Lucerne would be impressive anywhere, but nowhere so impressive as where he is.”

Next trip to Switzerland.

The Old Wolf has spoken.


[1] Perhaps Thorvaldsen’s most famous work is his Christus in the Vor Frue Kirke in Copenhagen, of which a copy resides in the visitor’s center of the Church of Jesus Christ of Latter-day Saints in Salt Lake City.

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The Inner Child, by Cristian Girotto

Fell down this rabbit hole today and wanted to share, for no good reason. I love Girotto’s work, and this particular exercise is intriguing.

“Without bothering Jung and its “Puer aeternus” or Pascoli with its “Little Boy”, we can certainly agree that, somewhere inside each of us, there’s a young core, instinctive, creative but also innocent and naïve. What would happen if this intimate essence would be completely revealed?”

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Have a look at the full exhibition and enjoy as much as I did.

Young children and babies are, with some unfortunate exceptions, almost universally cute and appealing. According to Jeffrey Kurland, associate professor of biological anthropology and human development, “we are inherently attracted to a specific set of characteristics, including large, symmetrical heads, large eyes, small mouths, and small noses.” But why do almost all humans find this particular set of features so appealing? Kurland’s answer: Evolution. Click through for the full article.

Whatever the case, those features have been admirably co-opted and sugar-coated by the ultimate wizards of cuteness, the Disney corporation; feast your eyes on this:

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I was talking to the Goodwoman of the House the other day and mentioned that Rapunzel was probably the most archetypically attractive princess they’ve ever constructed; comparing her features to Girotto’s manipulation above, it’s easy to see why. Once again, “large, symmetrical head, perpetually large Bambi eyes, small mouth, and small nose,” combined with other unmistakable traits usually associated with youth and beauty. In essence, she has all the cuteness of a baby blended with the body of a youthful goddess… how could she not be universally lovable, unless you have an allergy to saccharine?

The Old Wolf has spoken.

Axel Erlandson, the true “shepherd of the trees.”

Treebeard would have split his bark with envy.

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Erlandson sitting on a natural chair crafted out of trees.

Swedish-American farmer Axel Erlandson had a way of coaxing trees to do the most astonishing things, was highly secretive about his methods, and took his secrets to the grave. His trees were originally exhibited at his Tree Circus, and many were moved to Gilroy Gardens where they can be seen today.

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The “two-leg tree”

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Needle-and-thread tree

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The Basket Tree

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The Cube Tree

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Hook and Eye

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Another Cube Tree

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Squared Circle

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Knot

It’s a shame these techniques were lost.  It would have been wonderful had Erlandson been able to pass his work down to the next generation. But as long as his trees live, others will be able to marvel at his skill.

The Old Wolf has spoken.

Freefall: Jerry Pournelle’s Review.

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Art: Mark Stanley. Background and color: The Old Wolf

I’ve mentioned Mark Stanley’s Freefall webcomic several times in this blog (just do a search, you’ll find the articles, but here’s one of my favorites).

I found a link to this article by Jerry Pournelle at the Freefall discussion forum, and was so impressed I felt I needed to share it. WARNING: If you decide to check out the strip before reading Pournelle’s review, start here. There is great value in working up to the current storyline climax, and not spoiling it. Unless, of course, you’re the kind who reads the last chapter of a mystery first, which is fine as well. Just saying.

I wrote this for another conference, but it occurs to me that while I have mentioned Freefall here before, it has been a while:

If you are not a fan of Freefall http://freefall.purr…100/fv00001.htm you ought to be.  Alas, it really will involve some time because it is a serial story, and the current panels are shocking — that is, they have a total surprise that I do not think many readers saw coming. I did not. And you should not see them before reading the rest of the story leading up to now.

The graphic novel — it has become as long as one — has as its premise that mankind has settled planets other than earth, and on one of them there is a population of a small number of humans and tens of millions of robots, all pretty well subject to Asimov’s three laws, only a lot of that is in my judgment better thought out than Isaac did.  The robots are highly intelligent and competent, but they are programmed to obey most human direct orders, and are very protective of humans.  This situation can be exploited by certain unscrupulous bureaucrats.

And into this mix comes Florence,  a Bowman’s Wolf, an artificially intelligent product of genetic manipulation, a genetic mixture of red wolf, dog and human genes with programming for artificial intelligence, born of a dog (St. Bernard) who was not her biological mother, and developing opposable thumbs, human speech, and the ability to walk on her hind legs although she runs much faster on all four legs. She wears clothes and has normal human modesty, and grew up in a household of humans, first as a pet then as — well, as an intelligent dog, then as a sibling. In theory she is the property of the human family. She has most of the powers of a real wolf and an IQ I would estimate at 140 or so.  She is a graduate engineer.

Also living on this planet is a single member of an alien species brought there as a stowaway from another planet — he is not artificially intelligent, he is intelligent, but he has nothing of the ethics and mores of a human and no human companionship. He is of a race of scavengers, and had thousands of siblings but he is probably the only survivor, and that because he stowed away on the human ship. He owns two robots and as owner he can give them direct orders.  One is a general purpose robot who likes him, and the other is his space ship which he managed to acquire as scrap and sort of get it running — but the ship considers him a danger to humans and hates him and would like to kill him but has been forbidden to do that.  It belongs to Sam.  Sam wears an environment suit which makes him appear sort of humanoid, but under that suit he is not humanoid at all.

All this happens in the first couple of dozen panels.  Sam acquires the Bowman’s wolf as his ship’s engineer. He does so by devious means, but she considers herself bound as a crew officer to be respectful to and obey the captain.  Only sometimes that would be disastrous and she’s pretty clever about playing logic games.

There are now two thousand four-panel pages of story, all relevant to the story line although some are not obviously so.  We are now reaching a climax, I think, and certainly the story has taken a surprising turn.  Meanwhile we have met many fascinating characters, including robot police who have to deal with humans, a veterinarian who sort of falls in love with Florence the AI wolf, a child who wonders if Florence and the vet will marry prompting Florence to be amused that the kid thinks all mammals have the same number of chromosomes, scheming officials who try to prompt a robotic war so they can get rich on scrap, and a great number of antics in which Sam acts quite morally for him == he is a scavenger, after all == but which drive the human authorities nuts. Especially since Sam is a very skilled thief, pickpocket, and jail breaker.

If you never heard of this you should try it: it may not be everyone’s cup of tea, but it’s the best of this kind of thing I know of. It is a combination of comedy of manners and some broad farce, and it mixes those elements well. It starts black and white but acquires better art and color at a couple of hundred pages (again four panels to a page).  It is now up to a couple of thousand and it will take you a bit of time to get from the beginning to where we are now, but I liked every episode I read.  I urge you NOT to skip ahead, and particularly don’t look at the current pages at all; catch up to them from the beginning. It will be worth it in my judgment.  The story is well developed and very logically constructed.  I’d like to see it win a Hugo.  It’s really good.

Recommended.

Be aware that the Freefall time line is mind-shatteringly slow. Day One begins on March 30, 1998; as of today, Florence has spent approximately three weeks on the planet’s surface. And for those of us who want to find out how the story ends, the three updates per week can be painful… but I’ve been hooked for over 10 years, and by Mogg’s tufted tail I am not giving up.

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If you don’t take my recommendation, take Pournelle’s… and enjoy.

The Old Wolf has spoken.

Celebrities as Classic Paintings, Annotated

Recently over at reddit a list of photos appeared showing modern-day celebrities photoshopped onto classic paintings. The list appeared over at Imgur, but without any annotation. Various redditors chimed in and were able to provide a key, but I found these interesting enough that I thought I would present the list here, with some supplementary information which came to mind as I discussed the images with my wife. I have tried, wherever possible, to find the original painting, and provide links to the subjects depicted and the artists of the original works.

These photoshopped versions are found at worth1000.com, and a quick search over there will turn up the creators of these clever derivative images, as well as many other similar efforts.

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Sir Patrick Stewart

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The original painting, Philip the Good. This is a copy of an original which is thought to be lost, by Rogier van der Weden. This particular painting for Picard seems poignantly apt, in my opinion. Picard’s character was both written and interpreted as a flawed (as are we all) individual doing his utmost to make a positive difference in the universe.

For obvious reasons, this is an image heavy post; much more can be seen after the jump.

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Preston Blair Ripoffs

Almost anyone who has studied Disney animated movies or who is interested in animation as an art form has encountered the work of Preston Blair.

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Blair animated the dancing hippos in “Fantasia,” and many other characters through his career; he worked not only with Disney but with Warner as well. Some images from his book:

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Facial Expressions

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The “Screwball” Characters

I’ve had this book in my library for over 40 years; so you can imagine my surprise when we walked into a McDonald’s somewhere in Florida and found this:

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This is wholesale ripoff of Blair’s work. Artists are not supposed to do this; using someone else’s work as a model is one thing, but outright plagiarism is another. It is so blatant I wrote to McDonald’s corporate and let them know, simply because this sort of thing makes them vulnerable. I got a call back from their legal department asking for more information, so they took it seriously.

Blair’s work is probably some of the most pirated ever; all you have to do is go to a Google image search and look for “Preston Blair Ripoffs” – there is no end of examples. Blair may be long gone, but his work is his, and should not be so blatantly appropriated.

But the beat goes on – just today I saw this picture show up on Facebook, a plug for Plexus Slim:

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… and the beat goes on.

The Old Wolf has spoken.

You do *not* mess with perfection.

According to Variety magazine, William Goldman’s The Princess Bride is headed for the stage.

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This movie has long been enshrined in my mind as the perfect film. Even the actors have waxed eloquent about what an amazing adventure it was, that it was the summum bonum of their careers, that everything came together perfectly, that they were honored to be a part of such excellence, and on and on.

What the hqiz is Disney thinking? As well you might try to recreate the Mona Lisa, or Beethoven’s Symphony No. 6.

André Roussimov must be spinning in his grave right about now. This play is going to suck more powerfully than a Riccar vacuum. And the possibilty of a musical version? Utter blasphemy.

And yes, I’m being petty and closed-minded. Shtigin! Nobody’s hearin’ nothin!

The Old Wolf has spoken.

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